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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Liturgy And Diversity

Christopher Mueller · September 7, 2015

330 liturgical Chris EVERAL YEARS AGO, I had the very good fortune to have several lengthy conversations with the Director of Music at a cathedral in the United States. This church has an astonishing music program, featuring a world-class children’s choir and professional schola. Each week at the principal Mass of the cathedral, the schola sings chant and polyphony, including the day’s propers (in Latin chant), a full Mass Ordinary (typically Renaissance polyphony, also in Latin), and motets at Offertory and Communion (to follow the chanted propers). The children join them on much of this music (particularly the polyphony).

I thought of these conversations as I perused this thread at the Musica Sacra Forum. The question under discussion is whether a choral Ordinary (that is, an Ordinary sung solely by the choir) is in keeping with the Church’s guidelines on how to celebrate the Ordinary Form. Many think that choral Ordinaries are to be eschewed, because the congregation doesn’t have anything “to do” while the choir provides music for the Kyrie, Gloria, Sanctus & Agnus Dei.

His answer was very surprising to me, and I thought it both prudential and catholic. He said, “We do a choral Ordinary each week because we can. We are the only Catholic church in the state with the resources to offer the Mass in this manner, and so we do. We don’t prescribe it as normative, and we only do it at a single Mass each weekend. We offer it as a way that the Mass can be celebrated, not as the way that it should be celebrated.” In essence, he provides the Catholic community a greater diversity of liturgical experience by having one Mass per weekend which features some of the most beautiful music man has created, intended for the glory of God and the edification of the faithful. And every week at this Mass, the church is full.

I found his reasoning to be prudent: putting the stewardship of the faithful to wonderful use in service of the Holy Mass. I also found it to be catholic, in the meaning of that word as “universal.” The musical treasures of the church, “greater even than that of any other art” (SC 112), are universal and timeless, just as precious and beautiful today as when they were created. Beauty is one path by which God opens our hearts and leads us to Himself; let us rejoice wherever the church’s music effects this.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Latin Mass Musical Diversity Last Updated: May 29, 2021

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About Christopher Mueller

Christopher Mueller is a conductor and composer who aims to write beautiful music out of gratitude to God, Author of all beauty.—(Read full biography).

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President’s Corner

    PDF Download • Communion for Sunday
    The COMMUNION ANTIPHON with fauxbourdon psalm verses for this coming Sunday (3 May 2026) is elegant and poignant. It’s such a shame it only comes every three years. This piece—along with all the musical scores for this coming Sunday, which is the 5th Sunday of Easter (Year A)—can be downloaded free of charge from the flourishing feasts website. By the way, how is it already 2026?
    —Jeff Ostrowski
    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“The scholar who lives only for his subject is but the fragment of a man; he lives in a shadow-world, mistaking means for ends.”

— Msgr. Ronald Knox (1888-1957)

Recent Posts

  • PDF Download • Communion for Sunday
  • “Translating the Bible” • Msgr. Ronald Knox (1953)
  • Season’s End Repertoire
  • PDF Download • “Funeral Procession”
  • Re: The “Correct” Way To Sing Gregorian Chant

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