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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Liturgy And Diversity

Christopher Mueller · September 7, 2015

330 liturgical Chris EVERAL YEARS AGO, I had the very good fortune to have several lengthy conversations with the Director of Music at a cathedral in the United States. This church has an astonishing music program, featuring a world-class children’s choir and professional schola. Each week at the principal Mass of the cathedral, the schola sings chant and polyphony, including the day’s propers (in Latin chant), a full Mass Ordinary (typically Renaissance polyphony, also in Latin), and motets at Offertory and Communion (to follow the chanted propers). The children join them on much of this music (particularly the polyphony).

I thought of these conversations as I perused this thread at the Musica Sacra Forum. The question under discussion is whether a choral Ordinary (that is, an Ordinary sung solely by the choir) is in keeping with the Church’s guidelines on how to celebrate the Ordinary Form. Many think that choral Ordinaries are to be eschewed, because the congregation doesn’t have anything “to do” while the choir provides music for the Kyrie, Gloria, Sanctus & Agnus Dei.

His answer was very surprising to me, and I thought it both prudential and catholic. He said, “We do a choral Ordinary each week because we can. We are the only Catholic church in the state with the resources to offer the Mass in this manner, and so we do. We don’t prescribe it as normative, and we only do it at a single Mass each weekend. We offer it as a way that the Mass can be celebrated, not as the way that it should be celebrated.” In essence, he provides the Catholic community a greater diversity of liturgical experience by having one Mass per weekend which features some of the most beautiful music man has created, intended for the glory of God and the edification of the faithful. And every week at this Mass, the church is full.

I found his reasoning to be prudent: putting the stewardship of the faithful to wonderful use in service of the Holy Mass. I also found it to be catholic, in the meaning of that word as “universal.” The musical treasures of the church, “greater even than that of any other art” (SC 112), are universal and timeless, just as precious and beautiful today as when they were created. Beauty is one path by which God opens our hearts and leads us to Himself; let us rejoice wherever the church’s music effects this.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Latin Mass Musical Diversity Last Updated: May 29, 2021

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About Christopher Mueller

Christopher Mueller is a conductor and composer who aims to write beautiful music out of gratitude to God, Author of all beauty.—(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

“To treat harmony and rhythm in this matter was a difficult matter. Facing numerous problems both large and small—that arose constantly—we understood that a flawless harmonization of Gregorian chant cannot be created by improvisation, no matter the competence and ability of the organist or harmonist.”

— ‘Mons. Jules Van Nuffel, NOH Preface’

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  • PDF • “Music List” (Xmas Midnight Mass)
  • What does this mean? “Pre-Urbanite”

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