Views from the Choir Loft

Archives for August 2015

Jeff Ostrowski · August 23, 2015

Organ Accompaniment • “Christe Supreme”

When your choir isn’t ready for polyphony…

Jeff Ostrowski · August 22, 2015

The Weirdest Thing About Renaissance Motets

A priest named “Reuschius”…

Veronica Brandt · August 22, 2015

Sacraments and family

God is amazing. Families are amazing. God working in families is amazing.

Andrew Leung · August 20, 2015

The Danger of Praise and Worship

Praise and Worship can be dangerous and confusing…

Dr. Lucas Tappan · August 20, 2015

One Man I Would Give My Right Arm To Meet In Person

“This honest, magnanimous and public statement made my struggle totally worthwhile.” —Colin Mawby

Jeff Ostrowski · August 19, 2015

Chabanel Psalms … In Dutch?

The cantors do something I never thought of in this video…

Jeff Ostrowski · August 19, 2015

Musical Resources • 13th Sunday after Pentecost (Extraordinary Form)

“We have received, O Lord, thy heavenly sacrament…”

Andrew Leung · August 18, 2015

Summer Sacred Music Workshop — Report

Report on the Summer Sacred Music Workshop in Jasper, GA.

Jeff Ostrowski · August 18, 2015

Improve Your Parish’s Liturgy … Instantaneously!

“Until we are blue in the face, we could repeat what Vatican II said about Gregorian chant…”

Jeff Ostrowski · August 17, 2015

PDF Download • “Mount Mary Hymnal” (1937)

All 255 pages of this famous hymn book can now be downloaded as a PDF.

Fr. David Friel · August 16, 2015

Vesting Prayers • Part 7 of 9

The Stole

Richard J. Clark · August 14, 2015

Entering the Mainstream Conversation

Will Cardinal Sarah’s recent letter make it into the mainstream conversation?

Jeff Ostrowski · August 13, 2015

Musical Resources • 12th Sunday after Pentecost (Extraordinary Form)

The “Testament of the Spirit” is the new and permanent covenant established by Jesus Christ between God and men.

Andrew Leung · August 13, 2015

Thoughts on the “Hymn” for the Year of Mercy?

The Vatican has just introduced the official hymn of the Holy Year Of Mercy. Any thoughts?

Andrew Leung · August 12, 2015

John Scott (1956-2015)

Today, the world lost one of the greatest living church musicians, Dr. John Scott.

Luis Martínez Must Go!

Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]

—Jeff Ostrowski

Urgent! • We Desperately Need Funds!

A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!

—Jeff Ostrowski

“Booklet of Eucharistic Hymns” (16 pages)

I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed