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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Frank La Rocca • Contemporary Music for the Sacred Treasury

Richard J. Clark · August 28, 2015

SACRED BANQUET! The Eucharist gives us food for a difficult journey. Appropriately, the Mass is our greatest prayer. It is in a way, a rehearsal for our life in heaven. The chant Ave Verum describes Jesus’ body as “a foretaste (of heaven) in the trial of death.” The Mass is nothing less than this. But we are human and we fall short. Faith and reliance upon God must bridge our failings.

As such, music for the Sacred Liturgy must trend toward the transcendent—holy, beautiful, and universal. What it is not called to do is to please anyone other than God. This is a very tall order. Once again, our frail humanity is a frequent obstacle to such ideals. Again, we must rely upon God and the gift of the sacrament of Himself–the Eucharist.

But there are many gems that area beautiful, sacred, and universal. It is our sacred treasury of music, given highest value by Vatican II: “The musical tradition of the universal Church is a treasure of inestimable value, greater even than that of any other art…”(Constitution on the Sacred Liturgy, §112.) Occasionally, there are gems added to this sacred treasury.

F YOU ARE NOT FAMILIAR with the works of composer Frank La Rocca, you should be. His transcendent setting of O Sacrum Convivum is rooted in traditional polyphony, yet is thoroughly modern at every turn. The harmony is modal yet often very accessible to the contemporary modern ear. At other times, the harmonic language is defiant of traditional harmony in the vein of progressive works of the Twentieth and Twenty-first Centuries.

Through it all La Rocca achieves symmetry and wholeness and therefore holiness. It depicts the eternal Eucharist, while simultaneously addressing and calming the anxieties, evils, and depression of modern life. He paints the text beautifully, ultimately filling a besieged world with the hope promised by the Sacred Banquet.

A work such as this moves contemporary sacred music towards the realization of Vatican II. It represents an ideal not because of style or preference but because of transcendence and significance. Anchored in tradition, it speaks with the authority of the ages yet with the innovation of modernity. Imbued with the Spirit, it is timeless.

O Sacrum Convivium
text: St. Thomas Aquinas (1225-1274)

O sacred banquet!
in which Christ is received,
the memory of his Passion is renewed,
the mind is filled with grace,
and a pledge of future glory to us is given.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“We went to the early Mass to receive Communion because there was no distribution of Communion at the High Mass. After Mass was the breakfast, which was always of better quality than on ordinary days. Then after the breakfast we all returned to church for the Solemn Mass.”

— Dom Ermin Vitry, OSB

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