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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Vesting Prayers • Part 3 of 9

Fr. David Friel · July 19, 2015

HE AMICE is a vestment that garners little attention while holding magnificent significance. An amice is simply a rectangular piece of white cloth with long strings attached at two corners. It is worn about the shoulders and used to cover the priest’s clerical garb so that it cannot be seen after he dons the alb. The strings are tied around the waist to secure the placement of the vestment.

Before the priest wraps the amice around his shoulders and over his collar, he first touches the linen to the top of his head, while reciting this prayer:

Impone, Domine, capiti meo galeam salutis, ad expugnandos diabolicos incursus.

Place, O Lord, upon my head the helmet of salvation, that I may repel the assaults of the enemy.

The text of this prayer elucidates the beauty that motivates the wearing of the garment. It draws upon a text of St. Paul’s Letter to the Ephesians (Eph 6:17), which speaks about the “helmet of salvation.” This passage comes in the context of a larger description of the armor of God, which is to be put on by every faithful Christian. That this prayer asks God to place the helmet, Himself, is especially beautiful.

The helmet, of course, is a protective garment, meant to shield its wearer from outside forces. At Mass, the most prevalent outside forces are likely not spears or bullets, but profane distractions. Too often, we live under the false assumption that clergymen are immune from such distractions. What types of thoughts could possibly distract a priest celebrant during the Holy Sacrifice? Many things:

A fainting altar boy Frustration with the cantor/organist/deacon/lector Last-minute mental rehearsal of the homily Parish business brought to mind by seeing a certain parishioner in the pews Ugh . . . the music is soooo slow! Did I remember to lock the rectory door? Wondering what’s for lunch/dinner

These mundane thoughts, among many others, afflict priests as much as they do the lay faithful. We would all benefit from offering a prayer before Mass that asks for the grace to overcome the devil’s attempts to distract us.

So many priests do not bother to wear the amice, either because they deem it frivolous or because they wear a style of alb that fully covers their clerical garb. Priests who do wear the amice, in fact, are often written off as “conservative” or “traditional.”

I wear the amice, and I do so not out of nostalgia nor to appear somehow pious or traditional or conservative. I wear the amice because of the rich symbolism it holds. Until my preparation for diaconate ordination, when I memorized the brilliant vesting prayer that accompanies the amice, I was unaware of this symbolism. Now that I am aware, why would I want to offer Mass without the benefit of the helmet of salvation?

Part 1 • Introduction

Part 2 • The Hand Washing

Part 3 • The Amice

Part 4 • The Alb

Part 5 • The Cincture

Part 6 • The Maniple

Part 7 • The Stole

Part 8 • The Chasuble

Part 9 • The Dalmatic

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Traditional Catholic Vestments, Vesting Prayers Last Updated: March 29, 2021

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • “Ascension of the Lord”
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the The Ascension of the Lord—“Festum Ascensionis Domini”—which is transferred to 17 May 2026 in our diocese. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (“Ascéndit Deus in jubilatióne”) is particularly beautiful and the ENTRANCE CHANT is simply splendid. As always, readers may go directly to the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“The sun, at one moment surrounded with scarlet flame, at another aureoled in yellow and deep purple, seemed to be in an exceedingly swift and whirling movement, at times appearing to be loosened from the sky and to be approaching the earth, strongly radiating heat.”

— ‘Dr. Domingos Pinto Coelho, noted lawyer from Lisbon and chairman of the Bar Association (1917)’

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