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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Why It is Truly Right and Just to Sing the Preface

Richard J. Clark · June 26, 2015

HE PREFACE, perhaps like other parts of the Liturgy of the Eucharist can at times be easily overlooked or tuned out. Yet most often, there is something very unique and special about the Preface.

Under the The Eucharistic Prayer” the General Instruction of the Roman Missal (GIRM) states:

364. The numerous Prefaces with which the Roman Missal is endowed have as their purpose to bring out more fully the motives for thanksgiving within the Eucharistic Prayer and to set out more clearly the different facets of the mystery of salvation.

Like the Creed, the Preface is a unique place in the Mass where dogma of the Church is expressed. Furthermore, it expresses thanksgiving for the work of salvation.

”…The thanksgiving (expressed especially in the Preface), in which the Priest, in the name of the whole of the holy people, glorifies God the Father and gives thanks to him for the whole work of salvation or for some particular aspect of it, according to the varying day, festivity, or time of year.

ITH A NAME LIKE “PREFACE” it connotes something less important. Relatively speaking, it is less important than the consecration. However, giving thanks for the work of salvation certainly deserves greater dignity of proclamation! It warrants singing. Proclaimed by the Head—the priest acting in persona Christi capitis—it is prayed by the entire body. It is another act of unity.

An astounding example of the Preface “setting out more clearly the differ facets of the mystery of salvation” is from the Nativity of John the Baptist, June 24:


THE MISSION OF THE PRECURSOR

In his Precursor, Saint John the Baptist,

We praise your great glory,
for you consecrated him for a singular honor
among those born of women.

His birth brought great rejoicing;
Even in the womb he leapt for joy
at the coming of human salvation.
He alone of all the prophets
pointed out the Lamb of redemption.

And to make holy the flowing waters,
he baptized the very author of Baptism
and was privileged to bear him supreme witness
by the shedding of his blood.

I find these words to be extraordinary. To sing them is truly right and just.

You may download all the chanted Prefaces of the liturgical year (as well as all music from the Roman Missal) here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 22nd in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 31 August 2025, which is the 22nd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“There are some so restless that when they are free from labour they labour all the more, because the more leisure they have for thought, the worse interior turmoil they have to bear.”

— Pope Gregory the Great

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