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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Dancing on the Edge with Truth and Beauty

Richard J. Clark · June 5, 2015

EAUTY IS TRUTH. And truth is beautiful even when difficult. The Gospel message is both Truth and Beauty and sometimes very difficult and challenging. Yet it delivers liberation, peace, and mercy—beautiful truths that may take a lifetime to understand, if ever.

So, the Mass, our greatest prayer, is incontrovertibly a messenger of Truth. United in the Eucharist, we commemorate Christ’s Death and Resurrection through which we are set free. As such, the Mass demands beauty because beauty conveys truth—the very truth proclaimed by the Gospel.

Another difficult reality, is that beauty and truth are rarely appreciated. Quite the contrary, they are a cause of fear and panic in many. Try fostering beauty and substantive theology in a parish music program, and one will often find oneself on the defensive. Proclaim the truths of our faith, in light of mercy and forgiveness, and one quickly may become a pariah.

LTHOUGH NOT NEW, the news of John Romeri’s resignation form the Office of Liturgical Music in Philadelphia is now getting much attention. There has been great speculation regarding the nature of the differences with the archbishop, and I doubt Mr. Romeri will ever reveal any specifics. However, amidst the drama, it is the last line in Mr. Romeri’s resignation letter wrote that struck like a thunderbolt:

“I encourage you to make music at the highest levels possible in your parishes. Our people deserve it and our God is worthy of the highest forms of praise.”

This is true and it is beautiful. Most beautiful, in that it is clear that we are servants of God, the liturgy, and the people. Such a person of humility and skill is ideally who we want leading prayer through music. The robustness of the music program at the Cathedral Basilica is witness to his work; no less his previous work at the Cathedral in St. Louis. By their fruits you will know them. (Matthew 7:16)

IT SEEMS WE ARE OFTEN DANCING ON THE EDGE. Do we uphold truth or do we compromise? Yet many of us face the daily reality of survival. One false move on the tightrope, and we find ourselves falling.

But beauty is what gives us hope to persevere through difficulty. Through beauty we praise God and we see His face. Furthermore, the truth of the Gospel is that God loves us more than we will ever comprehend.

Oremus pro invicem
Let us pray for each other. Support each other. We truly need it.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Beauty, Beauty in the Catholic Liturgy Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“I prefer to preach,” said one priest “even without immediate preparation, for I can always draw—from the various studies stored away during the seminary years—enough material to interest our good Catholic people. But when I have to go to the altar and sing High Mass or a Requiem, and I know that I cannot read a note of the Preface and the ‘Pater Noster’, I feel like going to martyrdom. Yet the notes are right there before my eyes, but they seem to mock my ignorance.”

— From a 1920 article by Very Rev. Leo P. Manzetti

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