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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Dancing on the Edge with Truth and Beauty

Richard J. Clark · June 5, 2015

EAUTY IS TRUTH. And truth is beautiful even when difficult. The Gospel message is both Truth and Beauty and sometimes very difficult and challenging. Yet it delivers liberation, peace, and mercy—beautiful truths that may take a lifetime to understand, if ever.

So, the Mass, our greatest prayer, is incontrovertibly a messenger of Truth. United in the Eucharist, we commemorate Christ’s Death and Resurrection through which we are set free. As such, the Mass demands beauty because beauty conveys truth—the very truth proclaimed by the Gospel.

Another difficult reality, is that beauty and truth are rarely appreciated. Quite the contrary, they are a cause of fear and panic in many. Try fostering beauty and substantive theology in a parish music program, and one will often find oneself on the defensive. Proclaim the truths of our faith, in light of mercy and forgiveness, and one quickly may become a pariah.

LTHOUGH NOT NEW, the news of John Romeri’s resignation form the Office of Liturgical Music in Philadelphia is now getting much attention. There has been great speculation regarding the nature of the differences with the archbishop, and I doubt Mr. Romeri will ever reveal any specifics. However, amidst the drama, it is the last line in Mr. Romeri’s resignation letter wrote that struck like a thunderbolt:

“I encourage you to make music at the highest levels possible in your parishes. Our people deserve it and our God is worthy of the highest forms of praise.”

This is true and it is beautiful. Most beautiful, in that it is clear that we are servants of God, the liturgy, and the people. Such a person of humility and skill is ideally who we want leading prayer through music. The robustness of the music program at the Cathedral Basilica is witness to his work; no less his previous work at the Cathedral in St. Louis. By their fruits you will know them. (Matthew 7:16)

IT SEEMS WE ARE OFTEN DANCING ON THE EDGE. Do we uphold truth or do we compromise? Yet many of us face the daily reality of survival. One false move on the tightrope, and we find ourselves falling.

But beauty is what gives us hope to persevere through difficulty. Through beauty we praise God and we see His face. Furthermore, the truth of the Gospel is that God loves us more than we will ever comprehend.

Oremus pro invicem
Let us pray for each other. Support each other. We truly need it.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Beauty, Beauty in the Catholic Liturgy Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski
    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“At the hour for the Divine Office, | as soon as the signal is heard, | let them abandon whatever they may have in hand | and hasten with the greatest speed, | yet with seriousness, so that there is no excuse for levity. | Let nothing be preferred to the sacred liturgy.”

— Rule of St. Benedict (Chapter 43)

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