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Views from the Choir Loft

“Choral music is not one of life’s frills.”

Richard J. Clark · April 24, 2015

OMPOSER JOHN RUTTER, in this extraordinary video, speaks from the heart the importance of choral music for humanity, and hence for our souls:

“Choral music is not one of life’s frills. It’s something that goes to the very heart of our humanity, our sense of community and our souls. You express when you sing, your soul in song.”

This is also why choral singing magnifies prayer many times over. As “choral music is not one of life’s frills,” neither is prayerful and beautiful sacred music a “frill” for the mass. It is an absolute necessity. The mass is a sung prayer; we express our praise of God from the depths of our hearts through sacred melody.

Would that our church and school budgets reflect this profound importance, our praise of God would be greater, our churches fuller, and our relationship with the Lord and each other deeper. (Interestingly, it is a wise investment that more than pays itself back.)

As Rutter also states:

“…a church or a school without a choir is like a body without a soul.”

ONE SUCH ORGANIZATION that was founded in response to budget cuts in the Boston Public Schools is the Boston City Singers. While not a choir of sacred music, this organization of numerous choirs ranging in age from four to eighteen, is an enlightened example of music education given heightened priority in the community. They have filled a great void and the community has responded with expanded programming and funding for the BCS.

As many understand, the musical education of our children isn’t just about music—it’s about personal development and broadening skills and experiences for life! Likewise, sacred music heightens our greatest prayer that is the mass and prepares us for the Sacred Banquet in heaven.

So, do we view our sacred music program as a “frill” or a necessity?

This Sunday is “Good Shepherd Sunday.” Here is a live recording from mass of the Boston City Singers in my SSA setting of “The Lord Is My Shepherd” available for digital download at RJC Cecilia Music.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt

Random Quote

The eminent theologian Suarez (who died in 1617) […] took the position that a pope would be schismatic “if he, as is his duty, would not be in full communion with the body of the Church as, for example, if he were to excommunicate the entire Church, or if he were to change all the liturgical rites of the Church that have been upheld by apostolic tradition.”

— Monsignor Klaus Gamber (1981)

Recent Posts

  • PDF Download • “Gospel Acclamation” for 29 June (Solemnity of Saints Peter and Paul, Apostles)
  • “Hybrid” Chant Notation?
  • Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)
  • Urgent! • We Desperately Need Funds!
  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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