• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Can You Love Liturgy Too Much?

Jeff Ostrowski · April 6, 2015

061 Tenebrae OLY WEEK with the FSSP here in Los Angeles was unforgettable. The Easter Vigil, which began at 11:00pm, was conducted in complete darkness (until the Gloria), except for the light of candles. The darkness helped our minds focus. As the Exsultet was being sung, these words caught my attention:

“O inæstimábilis diléctio caritátis: ut servum redímeres, Fílium tradidísti!”
The precious favor of Thy love delivered up to death Thine only Son to buy back a slave’s life.

Giving up one’s child can only be fully appreciated by a parent, and this hit me like never before. Moreover, I began to feel utterly unworthy to be in God’s presence. In a few moments, I would enter the Sanctuary—along with another cantor, both of us wearing cassock & surplice—kneel down, and begin leading the Litany of the Saints. I was quite uncomfortable entering the Sanctuary; I would have preferred to hide under a rock.

At that moment, I realized the Liturgy is a type of SHIELD, helping us approach God without being obliterated by His Purity. Nothing we sinners can do will “earn” our salvation according to strict justice. Yet, fulfilling our role in the liturgy—praising God according to the ancient rites of the Church—is pleasing to Him, and this gave me comfort. I did not run from the Church; I sang the Litany as best I could.

According to Rocco Palmo, someone associated with the Congregation for Divine Worship recently intimated they will take the following approach to liturgy:

“Go by the book. Don’t make a fuss about it. And remember that liturgy’s always a means to an end—not an end in itself.”

Anyone with a rudimentary theological knowledge understands that liturgy is not an end in itself. 1 On the other hand, we ought to pay careful attention to the liturgy and perform our actions as perfectly as we can.

I USED TO ASSUME THAT ANYONE who denigrates the Traditional Latin Mass de facto had evil intentions. In recent years, I’m more inclined to think it’s a misunderstanding. Those who have little experience with the Extraordinary Form often characterize things in way I find utterly perplexing. They’ll take innocent actions—such as receiving Holy Communion kneeling or wearing traditional Church vestments—and explain them in ways I never imagined after decades of attending the EF. It reminds me of the comedian who explained the etymology of MANKIND by breaking it into fundamental parts: “mank” and “ind.”

Consider the words of Msgr. Francis Mannion, who has been horrified 2 to observe the resurgence of the Traditional Mass:

“I must say that having attended a number of Tridentine celebrations in recent years, I have been left with the impression that it is the ritual—rather than God—who is being worshipped. There can be a kind of idolatry here.”

Imagine a young boy wishing to please his father by carefully polishing his shoes. Is it really “idolatry,” or is it a child showing love to the parent? More than 1,200 people attended our EF Holy Week services; I would be reluctant to accuse a single one of idolatry.



NOTES FROM THIS ARTICLE:

1   Traditionally, Catholics use the acronym “TARP” to remember the four ends: Thanksgiving, Adoration, Reparation, and Petition. Bishop Fulton J. Sheen has reminded us that “TARP” comes close to matching the order of importance, too!

2   To be fair, many critics of the Extraordinary Form went to the seminary at a time when the Old Testament was deëmphasized and are, therefore, unaware of the “ritualism” (to use one of Msgr. Mannion’s favorite words) of the Jewish ceremonies.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

Oh, what sighs I uttered, what tears I shed, to mingle with the waters of the torrent, while I chanted to Thee, O my God, the psalms of Holy Church in the Office of the Dead!

— ‘Isaac Jogues, upon finding Goupil’s corpse (1642)’

Recent Posts

  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”
  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.