• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Five Things Directors and Choirs Must Remember This Week

Richard J. Clark · March 27, 2015

ELCOME TO Holy Week. For many, preparations have been well underway and are still ongoing. But once the onslaught of liturgies begins, it’s a bit like the morning of a final exam: One can’t study or prepare anymore. Just be in the best mental and physical state possible. For us, that also includes spiritual.

So, why do we work so hard to prepare? Beyond the technical preparations, musical and liturgical, there are five essential things music directors should remind themselves, their choirs and instrumentalists:


1. WE WILL AFFECT PEOPLE IN WAYS WE WILL NEVER KNOW.

There are those who walk through the doors of our churches who carry burdens unknown to us. Sorrow, struggle, and suffering permeates our fragile existence, but so does joy. There is great opportunity for comfort, compassion and love. In prayerful, loving song, you may forever change the lives of someone you do not know in a way you will never know.

Furthermore, for Elect and Candidates of the Church, the Easter Vigil is a night of life-changing importance. Your prayerful support, now, and during the period of mystagogy is critical.


2. THIS IS SOMETHING WE DO TOGETHER AS A CHURCH

While individuals may be experiencing different things in their personal lives, we are united in the Body of Christ. We are not only part of our local parish, but part of the Universal Church. This unity and universality is, in part, why our worship is ritualized. We are connected not only with our neighbors beside us, but with our brothers and sisters around the world. We are connected not only in the present day, but with the old Covenant with Abraham to the new Covenant mediated by Christ, so that we “may receive the promise of an eternal inheritance” (Heb 9:15) in the future.

In part this unity is why our sacred music ideally conveys a sense of timelessness and universality. Christ yesterday and today… All time belongs to Him…

Likewise, in this unity, everyone in your choir is important—not just those with more beautiful voices. We’re all singing and praying together.


3. EVERY TECHNICAL DETAIL—EVERY REHEARSAL IS A PRAYER

This is the Martha side of things. There is an overwhelming amount to do, but be mindful that all the tedious work and attention to detail is in service to the liturgy. It is in service to God and a great service to your sisters and brothers in the community.

But when the time comes, don’t worry about mistakes. Glitches will arise. Move on in prayer and don’t look back.


4. TAKE TIME FOR SILENCE.

This is the Mary side of things. Being constantly busy is its own kind of addictive drug designed to distract us from pain and even sometimes from joy! (Being emotional is hard work.) At the end of your pre-liturgy warmup or rehearsal, be sure to leave the choir several minutes for quiet reflection and prayer. If desired, part of that time can also be used to look over a score of the first piece or two. Sing the incipit in your head. Then close the book.

Remember to allow room for the Spirit, for both musical and prayerful inspiration. Place yourself in the center of the music and revel in every moment of prayer that comes forth. In achieving this end, the value of stillness and silence cannot be underestimated.


5. GIVE THANKS.

Expressing gratitude should become a mindful habit. Choirs can never be thanked enough. Of all the ministries of your church or parish, those in the choir usually volunteer the greatest number of hours all year round. So, thank your choir now, and always.

Consider how lucky we are to have people in our lives not only to make music with, but to pray with. To do so at the same time is an extraordinary privilege. Don’t forget it, and never take it for granted.

So, get on your knees and thank God for the gift of music, through which we may sing His praises, comfort the distressed, and experience the boundless joy of God’s love.

And while you’re at it, thank your choir. Again.

Have a blessed Holy Week!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Holy Week Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“Père Joseph Gelineau represented everything that had gone wrong with the Church since the new liturgists had gained control.”

— Jean Langlais

Recent Posts

  • Fulton J. Sheen Played The Pipe Organ!
  • “Music List” • 28th in Ordinary Time (Year C)
  • Dr. Samuel Backman • “Rooted In Tradition: The Allegory of a Tree”
  • Every Diocesan Music Commission Should Do This
  • Exclusive Interview • “Púeri Cantóres” President

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.