• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Archives for February 2015

Andrew Leung · February 12, 2015

Sing Prayerfully

“He who sings prays twice,” but as church musicians, we don’t always feel prayerful and peaceful when we are singing…

Dr. Lucas Tappan · February 12, 2015

What If You Never Again Had To “Teach” Your Choir Notes?

“I think of Edison trying a thousand different times to create the light bulb and failing each time.” —Dr. Tappan

Guest Author · February 11, 2015

Lenten Acclamations To Genevan Psalm Tunes

“Dom Beauduin realised that the singing of psalms and the reading of the Scriptures in divine worship is the greatest bond between Catholics and Protestants.” —Fr. Mark Woodruff

Jeff Ostrowski · February 10, 2015

Teaching Polyphony To Singers Who Can’t Read Music

Your singers can’t read music? No problem!

Jeff Ostrowski · February 10, 2015

The Facts About Annibale Bugnini’s Death

The difference between correlation & causality.

Dr. Lucas Tappan · February 9, 2015

Institutions Rather Than Events

“It’s a beautiful story, but how does it relate to sacred music?” —Dr. Tappan

Guest Author · February 9, 2015

“No Approval Needed for Substitute Songs” says USCCB • Exclusive Documentation

“After six months and 70+ letters, I received a letter from the chairman of Bishops’ Committee on the Liturgy.” —Dan Craig

Fr. David Friel · February 8, 2015

Pastoral Difficulties with Recently Ordained Priests

A Response to a Post at “Pray Tell”

Jeff Ostrowski · February 8, 2015

Musical Resources • Sexagesima Sunday

«GLORIA in EXCELSIS» is not said from Septuagesima Sunday until Easter, except on Holy Thursday, Holy Saturday, & some special feasts.

Veronica Brandt · February 7, 2015

Motets and Midi practice tracks

The search for practice tracks for Jesu Rex Admirabilis yielded a treasure trove of choir resources.

Richard J. Clark · February 6, 2015

World Day for Consecrated Life and Leadership from the Laity

Priests and musicians need each other and must mutually support each other. Both are immersed in the work of the liturgy, the most important act of evangelization.

Dr. Lucas Tappan · February 5, 2015

Patience, Patience, Patience

“I have known people who began teaching music in the class room and within a couple of years decided they would rather work for a bank.” —Lucas Tappan

Andrew Leung · February 5, 2015

The Greatest Enemy of Sacred Music?

“When Gregorian Chant is being sung, our bodies naturally go into a more peaceful, still, and contemplative mode.” —Andrew Leung

Jeff Ostrowski · February 4, 2015

Exclusive Interview With Dr. William Mahrt

Towards the end I ask the CMAA president a loaded question … and he answers!

Andrew R. Motyka · February 3, 2015

Truth, Beauty, and Pop Culture, Part 1

In which I take unpopular stances about popular things.

  • « Go to Previous Page
  • Page 1
  • Page 2
  • Page 3
  • Page 4
  • Go to Next Page »

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

The eminent theologian Suarez (who died in 1617) […] took the position that a pope would be schismatic “if he, as is his duty, would not be in full communion with the body of the Church as, for example, if he were to excommunicate the entire Church, or if he were to change all the liturgical rites of the Church that have been upheld by apostolic tradition.”

— Monsignor Klaus Gamber (1981)

Recent Posts

  • Fulton J. Sheen • “24-Hour Catechism”
  • 2-Voice Arrangement for Lent
  • Pope Paul VI • “Sacrificium Laudis” (15 Aug 1966)
  • “Sanctus VIII” • Organ Accompaniment
  • PDF Download • Sanctus VIII Organ Accompaniment (“Mass of the Angels”)

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.