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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

World Day for Consecrated Life and Leadership from the Laity

Richard J. Clark · February 6, 2015

LL TOO CLOSE to World Day for Consecrated Life (Feb. 2nd), the Archdiocese of Boston suffered great loss in the passing of two faithful and active pastors: Msgr. Richard Mehm, Pastor of Immaculate Conception in Malden, Massachusetts and Fr. John W. Gentleman, pastor of both Sacred Heart Church, Manchester by the Sea and John the Baptist Church in Essex, Massachusetts. The sadness is made more difficult by their relatively young ages. Rev. Mehm was 66. Rev. Gentleman was 55.

Msgr. Mehm was an avid supporter of sacred music. His Director of Music and Organist, Rosalind Mohnsen, is an extraordinarily accomplished organist and recording artist. But she also had Msgr. Mehm’s support in bringing truly reverent sacred music to this suburban parish; they have been singing the propers for years. Furthermore, I was deeply honored when Msgr. Mehm backed a commission for an organ work for Rosalind Mohnsen’s twenty-fifth anniversary at Immaculate Conception Parish. Based on the Introit for the Feast of the Immaculate Conception, Gaudens Gaubedo was most fitting for his parish. This was an unusually supportive pastor and a great loss.

While I never met Fr. Gentleman, I have witnessed the outpouring of grief from fellow priests upon his passing. We shall keep them in our prayers for the repose of their souls as well as for thanksgiving for their humble service to God and his people.

HEIR PASSINGS UNDERSCORE the frailty of human life. One would have expected both to serve the Archdiocese for many more years. We not only needed them, but depended upon them. The Archdiocese of Boston, like many dioceses around the United States, faces a large number of priests retiring and not enough to take their place. While the seminary in Boston has rebounded dramatically in the last decade, there remains a relatively smaller population of diocesan priests to serve the people.

As such, a similar reality has faced much of the country: Priests and pastors are responsible for multiple parishes. (Even parochial vicars sometimes split time between parishes.) This requires a greater reliance upon lay leadership, recognized with authority or not. There is nothing new here. But it is becoming the new normal everywhere.

HIS WEEKEND, PARISHES ARE CELEBRATING the World Day for Consecrated Life. With the best and most effective priests being stretched thinner and thinner, musicians and priests must be mutually supportive. Both are immersed in the work of the liturgy, the celebration of which Geofreddo Boselli calls, the “most important act of evangelization.” (pg. 209, The Spiritual Meaning of the Liturgy) Furthermore, lay leaders need their volunteers. (I am nothing without mine.) We are all responsible for the spiritual growth and well being of our parishes.

For music directors, the pastoral nature of one’s job demands that one be a servant leader. This usually entails leadership without authority, as ultimately a pastor will always have canonical authority in a parish.

But sometimes leadership without authority is the most effective kind. It is teaching by example. It is serving by giving those in our charge the tools and therefore the ability to succeed. It is leadership by keeping the spiritual well being of an entire parish in mind, meeting them where they are at and then challenging them to move forward. (This is far different from making everyone happy and also far more important.)

Leadership without authority keeps one humble and keeps others’ best interests in one’s heart. During difficult times in the Church, let us pray for vocations and pray for our priests who need additional strength to carry out God’s work. Furthermore, pray for the lay leaders of the Church who will be carrying more and more weight in serving the Church. Pray always, and be grateful for the opportunity to serve God and his people.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Servant Leader Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Those who teach Latin must know how to speak to the hearts of the young, know how to treasure the very rich heritage of the Latin tradition to educate them in the path of life, and accompany them along paths rich in hope and confidence.”

— Pope Francis (7 December 2017)

Recent Posts

  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

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