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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Permission Needed to Replace the Propers?—(5 of 7)

Andrew R. Motyka · February 24, 2015

WAS GLAD to see our new blogging colleague, Andrew Leung, post about permission in Hong Kong for replacing the propers of the Mass with other pieces of music. It gave me hope, or at least reconsideration, because from my end of things, the whole conversation we have been having about this so far is useless.

Say someone in the Archdiocese of Indianapolis writes a hymn: text, music, harmonization, everything, and he wants to follow the letter of the GIRM and get it approved for use in the Archdiocese or even the United States. What is his process for obtaining such approval? There is none. So he’ll call the Office of Worship, and upon hearing the word “music,” the call will be sent to me. I will be asked about what needs to be done to obtain approval, and my answer is, “I have no idea.”

It’s not that I am ignorant of the mechanism by which approval can be obtained in the USA; it’s that there is no mechanism. There is no process. Some bishops who take GIRM 48 seriously might want to see such a piece or collection, but in the end, what bishop has time for that?

So what should happen? Should the bishop delegate the process to a commission? Probably, just as Andrew Leung points out is the norm in Hong Kong. However, I also see several problems with this solution:

1. Every diocese, and every commission, is comprised of different people, with different skillsets, ideals, and opinions. There will be a wild lack of consistency over what gets through or not.

2. If this were kicked to the national level (the USCCB), we would be adding one more layer of bureaucracy to the process. I can’t imagine the chaos that an attempt at a “national hymnal” would cause.

3. From my understanding, as things stand now, approval by one bishop counts as approval for the whole country. Therefore, something approved in Seattle is cleared in Tampa, under the current law. This means that all you need is one out of hundreds of committees to clear your work to get it by, practically invalidating the safeguard of approval altogether.

4. The need for approval will be ignored anyway. As it stands now, the GIRM is ignored, and that is binding liturgical law. It’s not a suggestion, it’s not a guideline. It’s law, and people ignore it left and right anyway in more than just this area. Further legislation or bureaucracy will just incentivize the local parishes to tune out the law even more.

So what am I saying? Should the GIRM just be ignored on this point? No, what I am saying is that the solution to this issue is—to borrow political lingo—above my paygrade. I suspect and fear that the cat is just out of the bag on this one, and no legislation from above is going to fix it. I think our efforts would be better spent winning hearts and minds to the most fitting place that Gregorian Chant and the proper texts hold in the Mass than trying to legislate it from above.

This article is part of a series:

Part 1 • Richard Clark

Part 2 • Veronica Brandt

Part 3 • Andrew Leung

Part 4 • Dr. Lucas Tappan

Part 5 • Andrew Motyka

Part 6 • Cynthia Ostrowski

Part 7 • Aurelio Porfiri

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hilgartner 20 November 2012 Last Updated: October 15, 2022

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski

Random Quote

“For the Pharisees, and all the Jews, except they wash their hands, eat not, holding the tradition of the elders”—is that English idiom? “For the Nazis, and all the Germans, except they say Heil Hitler! meet not in the street, holding their lives valuable”—is that English idiom?

— Monsignor Ronald Knox

Recent Posts

  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)
  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026

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