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Views from the Choir Loft

Controversy Over Female Altar Servers

Jeff Ostrowski · February 14, 2015

313 GIRLS OST WOULD AGREE that it would be strange if I prayed the following prayer each night: “Please, Lord, let me get pregnant.” The simple fact is, men and woman are different. However, modern society does not allow us to speak about the differences, so I won’t.

I love little girls and ardently want them to be happy & holy. I’m sure most Catholic priests do, too.

Let us now consider a recent video which says a “controversial new policy” excludes girls:

      * *  Local News Video • “Controversial New Policy”

Throughout the video, the Church’s 2,000 year tradition is conveniently never mentioned. Obviously, we cannot expect too much from local news stations, since they’re notoriously horrible and underfunded. On the other hand, videos on this topic have crossed the threshold into the absurd. A similar video interviews one woman who says, “If I were a parent at that school, I’d probably be upset.” Couldn’t they locate an actual mother from that school?

Here’s a quick overview of how female altar servers came about. Pope Paul VI first permitted the possibility of women readers around 1969—if local bishops gave their approval—and the American bishops did so immediately:

314 Women as readers


Notice that women were placed outside the Sanctuary and could only read in the absence of a “qualified” male reader. However, Pope Paul VI said clearly on 5 September 1970 (Liturgicae Instaurationes) that women could not serve at the altar:

7. In conformity with norms traditional in the Church, women (single, married, religious), whether in churches, homes, convents, schools, or institutions for women, are barred from serving the priest at the altar.   (5 September 1970)

Pope Saint John Paul II said the same thing (Inaestimabile Donum) on 3 April 1980:

18. There are, of course, various roles that women can perform in the liturgical assembly: these include reading the Word of God and proclaiming the intentions of the Prayer of the Faithful. Women are not, however, permitted to act as altar servers.   (3 April 1980)

On 15 March 1994, the Vatican gave permission to individual bishops to allow female altar servers, with two important reminders:

“The permission given in this regard by some Bishops can in no way be considered as binding on other Bishops.”

“The Holy See wishes to recall that it will always be very appropriate to follow the noble tradition of having boys serve at the altar.”   (15 March 1994)

The videos we saw demonstrate how difficult (impossible?) it is for priests to continue the 2,000-year-old tradition in the Ordinary Form. For the record, the diocese of Lincoln—which does not have female altar servers—is a leader when it comes to priestly vocations.

SOME SAY that to withhold anything from young ladies is wrong. I’m not convinced that’s true. For example, in the Extraordinary Form, nobody except the priest is allowed to touch the Sacred Eucharist—and this applies to both men & women. I feel this is powerful, awesome, and wonderful. It is a mark of respect. I don’t see it as insulting towards anyone.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Unfortunately, on the one hand a deadly error in judgment placed the official leadership of this committee into the hands of a man who—though generous and brave—was not very knowledgeable: Cardinal Lercaro. He was utterly incapable of resisting the maneuvers of the mealy-mouthed scoundrel that the Neapolitan Vincentian, Bugnini, a man as bereft of culture as he was of basic honesty, soon revealed himself to be.”

— ‘Fr. Louis Bouyer, an important member of the Consilium’

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

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