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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Choir Rehearsal Is Prayer

Richard J. Clark · February 13, 2015

O I JUST FINISHED directing one of the most enjoyable choir rehearsals in quite some time. That is saying a lot because I usually feel highly energized by choir rehearsals. No matter how early in the morning my five year old and/or eleven month old sons wake me up, by the end of a choir rehearsal, I’m flooded with endorphins and can’t sleep — like right now. Ironically, it is quite possible we won’t get to sing the music we rehearsed — a problem everyone in Boston is facing this Sunday.

Oh, it was not the best sounding rehearsal by far. Many, including some of my best singers were unable to attend in part because of the 72” (182.88cm) of snow on the ground in Boston. It seems we are due for another 10-18” on early Sunday morning—the fourth major storm in three weeks. This annoys me. Why does it have to hit Saturday evening into Sunday morning? Even late Sunday morning works for me. I’ll figure out how to get back later. Oh, I almost forgot, I learned the National Guard was in front of my house during tonight’s rehearsal removing snow. I already got work without them. In fact my choirs have been showing up in surprisingly wonderful numbers despite all the recent snow.

I digress.

HIS WAS ONE OF THE BEST REHEARSALS because my volunteers, including two new singers this week, accomplished a great deal in their own right. They beautifully learned the Introit, Esto mihi in Deum protectorem from the Graduale Romanum, choral anthems for Sunday and Ash Wednesday, a beautiful psalm setting by Jeff Ostrowski (one of his best, Psalm 32), a communion proper, etc., etc. Without some of my best singers and many others missing, they responded thoughtfully and sensitively to correction and direction. New singers weren’t completely freaked out by trying to sing Gregorian notation, despite a lack of experience. They tackled various styles, as always, imbuing reverence and nuance. As such, the more I respect a choir’s ability, the more critical I am in rehearsal. I was very critical, and I was very proud of them.

I think many of us are lucky to experience this in choir rehearsal. While we left knowing Sunday’s weather forecast looked dire, I told them I was grateful for this time together in prayer. Rehearsal is prayer. These great texts of the church are prayer. Hopefully, the music we add is sacred, beautiful, and therefore, universal.

Snow annoys me, because selfishly, I’d like to implement what we so lovingly prepared. It may end up being that the prayer of rehearsal will have to be good enough this week. One of the best rehearsals ever might be followed up by a fizzle.

But it won’t be. I am deeply grateful for the beautiful people around me who also want to serve the Church and each other. This will live on in our hearts with more music to pray.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Is the USCCB trolling us?
    I realize I’m going to come across as a “Negative Nancy” … but I can’t help myself. This kind of stuff is beyond ridiculous. There are already way too many options in the MISSALE RECENS. Adding more will simply confuse the faithful even more. We seriously need to band together and start creating a “REFORM OF THE REFORM” Missale Romanum so it will be ready when the time comes.
    —Jeff Ostrowski
    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Who dreamed on that day that within a few years, far less than a decade, the Latin past of the Church would be all but expunged, that it would be reduced to a memory fading into the middle distance? The thought of it would have horrified us, but it seemed so far beyond the realm of the possible as to be ridiculous. So we laughed it off.”

— Archbishop Dwyer of Portland (26-Oct-1973)

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