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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Choir Rehearsal Is Prayer

Richard J. Clark · February 13, 2015

O I JUST FINISHED directing one of the most enjoyable choir rehearsals in quite some time. That is saying a lot because I usually feel highly energized by choir rehearsals. No matter how early in the morning my five year old and/or eleven month old sons wake me up, by the end of a choir rehearsal, I’m flooded with endorphins and can’t sleep — like right now. Ironically, it is quite possible we won’t get to sing the music we rehearsed — a problem everyone in Boston is facing this Sunday.

Oh, it was not the best sounding rehearsal by far. Many, including some of my best singers were unable to attend in part because of the 72” (182.88cm) of snow on the ground in Boston. It seems we are due for another 10-18” on early Sunday morning—the fourth major storm in three weeks. This annoys me. Why does it have to hit Saturday evening into Sunday morning? Even late Sunday morning works for me. I’ll figure out how to get back later. Oh, I almost forgot, I learned the National Guard was in front of my house during tonight’s rehearsal removing snow. I already got work without them. In fact my choirs have been showing up in surprisingly wonderful numbers despite all the recent snow.

I digress.

HIS WAS ONE OF THE BEST REHEARSALS because my volunteers, including two new singers this week, accomplished a great deal in their own right. They beautifully learned the Introit, Esto mihi in Deum protectorem from the Graduale Romanum, choral anthems for Sunday and Ash Wednesday, a beautiful psalm setting by Jeff Ostrowski (one of his best, Psalm 32), a communion proper, etc., etc. Without some of my best singers and many others missing, they responded thoughtfully and sensitively to correction and direction. New singers weren’t completely freaked out by trying to sing Gregorian notation, despite a lack of experience. They tackled various styles, as always, imbuing reverence and nuance. As such, the more I respect a choir’s ability, the more critical I am in rehearsal. I was very critical, and I was very proud of them.

I think many of us are lucky to experience this in choir rehearsal. While we left knowing Sunday’s weather forecast looked dire, I told them I was grateful for this time together in prayer. Rehearsal is prayer. These great texts of the church are prayer. Hopefully, the music we add is sacred, beautiful, and therefore, universal.

Snow annoys me, because selfishly, I’d like to implement what we so lovingly prepared. It may end up being that the prayer of rehearsal will have to be good enough this week. One of the best rehearsals ever might be followed up by a fizzle.

But it won’t be. I am deeply grateful for the beautiful people around me who also want to serve the Church and each other. This will live on in our hearts with more music to pray.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

The liturgical reform bears absolutely no relation to what is called “desacralization” and in no way intends to lend support to the phenomenon of “secularizing the world.” Accordingly the rites must retain their dignity, spirit of reverence, and sacred character.

— Sacred Congregation for Divine Worship (5 September 1970)

Recent Posts

  • The Weekday Communions of Lent
  • PDF Download • “Atténde Dómine”
  • “Chant Is Not a Penitential Act” • Lenten Reflection by Daniel Marshall
  • (Ash Wednesday) • Medieval Illumination Depicting the Distribution of Ashes
  • Music List • (1st Sunday of Lent)

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