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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

What If You Never Again Had To “Teach” Your Choir Notes?

Dr. Lucas Tappan · February 12, 2015

324 Sight Singing HE BOYS of Westminster Cathedral Choir, London, are legendary for their sight-singing capabilities. Msgr. Lawrence Hull—who at one time sang as an adult member of the choir under its famous founder, Sir Richard Terry—reminisced:

“I well remember…the suggestion for a Continental tour. A maestro of one of the great churches, delighted at the prospect of a visit from Dr. Terry and his choir, and wishing to be as accommodating as possible, wrote to say that he would willingly send the music it was proposed to sing, in order that it might be learned. His letter was read to the boys, who all chuckled in genuine amusement at the idea of having to ‘learn’ any music. They were used to singing-practices in plenty, but never for learning notes.”

What if you never had to “teach” your choir notes again?

One of the greatest investments you will ever make in your singers is to take the time to teach them to sing at sight. Think of the mother of a 5 year old who teaches her child to help around the house. It is more work in the beginning, but it provides a great benefit later on. In addition, the child learns to take ownership in the household and has a greater sense of belonging. The same is true for your choristers. But how?

I was not trained to be a music educator, so I have come to most of this through the school of “learning it the hard way.” To put it in a better light (and to lift your spirits if you have struggled and failed), I think of Edison trying a thousand different times to create the light bulb and failing each time. When he finally succeeded, he understood the why as apposed to just the how. You will too.

I would like to begin our journey into the world of sight-singing with a book by John Bertalot

Five Wheels to Successful Sight-Singing
A Practical Approach to Teach Children (and Adults) to Read Music

If you haven’t heard of John Bertalot, treat yourself right now and get your hands on a copy of his book. It is not only short, but it is fun to read. Next week I will begin with his Practical Secret. If you can manage the Practical Secret, the rest will be a piece of cake!

Warning: The website of John Bertalot is very slow, so be patient!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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President’s Corner

    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“I ask that future priests, from their time in the seminary, receive the preparation needed to understand and to celebrate Mass in Latin, and also to use Latin texts and execute Gregorian chant; nor should we forget that the faithful can be taught to recite the more common prayers in Latin, and also to sing parts of the liturgy to Gregorian chant.”

— SACRAMENTUM CARITATIS

Recent Posts

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  • “Equal Voices” Choir Pieces
  • A Practical Method of Projecting Solfege for Chant
  • PDF Downloads • Four (4) Simple Pieces in Harmony for Men’s Choirs

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