• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Pope Francis & the Devil

Fr. David Friel · February 1, 2015

EOPLE DON’T TALK much about the devil. These days, talking about the devil is often seen as “antiquated” or “from a different era.” But the devil is real. We have always believed that, and we believe it still. If you listen to Pope Francis’ talks (and not just to the sound bites the news likes to quote), you’ll notice that he talks about the devil . . . a lot.

For example, in a June 2013 audience, Pope Francis said: “Look around us—it is enough to open a newspaper, as I said—we see the presence of evil. The devil is acting.”

In October 2013, the pontiff proclaimed in a morning meditation: “A battle exists, a battle in which the eternal salvation of us all is at stake.”

In a September 2013 letter to Argentinian bishops, the pope quoted Blessed José Gabriel Brochero (the “Gaucho priest”), who said: “There’ll be trouble if the devil robs me of a single soul.”

Satan was a topic even in the Holy Father’s first public appearance with the Pope Emeritus in June 2014, when Francis declared: “In consecrating the Vatican City State to St. Michael the Archangel, let us ask him to defend us from the Evil One and cast him out.”

Even before his days as pope, then-Cardinal Bergoglio wrote in the 2010 book, On Heaven and Earth: “I believe that the Devil exists” and “his greatest achievement in these times has been to make us believe that he doesn’t exist.”

This is only a small sampling. None of these comments should surprise us, inasmuch as Papa Bergoglio comes to us through the Jesuits, whose expertise is the discernment of spirits (both good & evil).

The Gospel read at Mass today in the Ordinary Form is about an interaction that Jesus has with the devil. There are more than a few such scenes in the Scriptures, but this one starts out: “In their synagogue was a man with an unclean spirit.” Jesus has a short conversation with the unclean spirit, and then He commands it: “Quiet! Come out of him!” Then, the story says, “The unclean spirit convulsed [the man] and, with a loud cry, came out of him.”

This story simply does not strike me as “archaic” or “from a different era.” What is your sense? Don’t you think there are “unclean spirits” at work in the world today?

I certainly do. I sense them in the folks I’ve known struggling with addiction, who seem robbed of their will power and freedom. I see the “Culture of Death” that promotes abortion & euthanasia as an “unclean spirit” in our land. The corruption we have seen in the Church and in other institutions is most certainly evidence of “unclean spirits.”

There are also the “unclean spirits” of vengeance & torture & bullying & prejudice & pornography (which has become so devastatingly rampant). “Unclean spirits” take the form of depression & anxiety & fear & loneliness. Yes, in the world around us, I see a world of unclean spirits.

We Catholics also believe that the world is full of pure spirits. We believe that each human person has a guardian angel. We believe that myriads of angels are present every time we celebrate Holy Mass (Hebrews 12:22). But, just as surely as we hold to the claim that there are angels in the world, we should not downplay the presence of demons in the world.

What should we do about them? Just as in the days of the Gospel, the best solution is to turn these spirits over to the Lord. We are so often powerless in the face of these things. But, in the hands of the Lord, it is the unclean spirits that become powerless. In addition, it is wise to enlist the support and favors of the angelic spirits against the wiles of the demonic spirits. Praying the prayer to St. Michael each day would be worthwhile in this regard.

C. S. Lewis makes an important point in his famous book, The Screwtape Letters. He makes the point that the devil is never so powerful as when we deny his existence.

So, let’s acknowledge his existence. Jesus did. And, like Jesus, let’s beg the Father in heaven to drive out the unclean spirits that oppress us.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Pope Francis Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“For me, religious music ceased with the sixteenth century. The fresh, childlike souls of that time alone expressed their vehement, untainted fervor in music free from worldliness. Since then we have had pious musical improvisations more or less made for show. That wonderful man Johann Sebastian Bach only escaped because of his natural genius. He built harmonic edifices as a devout architect and not as an apostle.”

— Claude Debussy (1862-1918)

Recent Posts

  • Keven Smith * Three More Recommendations for Children’s Repertoire
  • Liturgical Round (“Canon”) in C-Major
  • PDF Download • Liturgical Round (“Canon”) for your Children’s Choir
  • Latin Liturgy Association
  • Important Quote by a Church Musician

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.