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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

World Day for Consecrated Life and Leadership from the Laity

Richard J. Clark · February 6, 2015

LL TOO CLOSE to World Day for Consecrated Life (Feb. 2nd), the Archdiocese of Boston suffered great loss in the passing of two faithful and active pastors: Msgr. Richard Mehm, Pastor of Immaculate Conception in Malden, Massachusetts and Fr. John W. Gentleman, pastor of both Sacred Heart Church, Manchester by the Sea and John the Baptist Church in Essex, Massachusetts. The sadness is made more difficult by their relatively young ages. Rev. Mehm was 66. Rev. Gentleman was 55.

Msgr. Mehm was an avid supporter of sacred music. His Director of Music and Organist, Rosalind Mohnsen, is an extraordinarily accomplished organist and recording artist. But she also had Msgr. Mehm’s support in bringing truly reverent sacred music to this suburban parish; they have been singing the propers for years. Furthermore, I was deeply honored when Msgr. Mehm backed a commission for an organ work for Rosalind Mohnsen’s twenty-fifth anniversary at Immaculate Conception Parish. Based on the Introit for the Feast of the Immaculate Conception, Gaudens Gaubedo was most fitting for his parish. This was an unusually supportive pastor and a great loss.

While I never met Fr. Gentleman, I have witnessed the outpouring of grief from fellow priests upon his passing. We shall keep them in our prayers for the repose of their souls as well as for thanksgiving for their humble service to God and his people.

HEIR PASSINGS UNDERSCORE the frailty of human life. One would have expected both to serve the Archdiocese for many more years. We not only needed them, but depended upon them. The Archdiocese of Boston, like many dioceses around the United States, faces a large number of priests retiring and not enough to take their place. While the seminary in Boston has rebounded dramatically in the last decade, there remains a relatively smaller population of diocesan priests to serve the people.

As such, a similar reality has faced much of the country: Priests and pastors are responsible for multiple parishes. (Even parochial vicars sometimes split time between parishes.) This requires a greater reliance upon lay leadership, recognized with authority or not. There is nothing new here. But it is becoming the new normal everywhere.

HIS WEEKEND, PARISHES ARE CELEBRATING the World Day for Consecrated Life. With the best and most effective priests being stretched thinner and thinner, musicians and priests must be mutually supportive. Both are immersed in the work of the liturgy, the celebration of which Geofreddo Boselli calls, the “most important act of evangelization.” (pg. 209, The Spiritual Meaning of the Liturgy) Furthermore, lay leaders need their volunteers. (I am nothing without mine.) We are all responsible for the spiritual growth and well being of our parishes.

For music directors, the pastoral nature of one’s job demands that one be a servant leader. This usually entails leadership without authority, as ultimately a pastor will always have canonical authority in a parish.

But sometimes leadership without authority is the most effective kind. It is teaching by example. It is serving by giving those in our charge the tools and therefore the ability to succeed. It is leadership by keeping the spiritual well being of an entire parish in mind, meeting them where they are at and then challenging them to move forward. (This is far different from making everyone happy and also far more important.)

Leadership without authority keeps one humble and keeps others’ best interests in one’s heart. During difficult times in the Church, let us pray for vocations and pray for our priests who need additional strength to carry out God’s work. Furthermore, pray for the lay leaders of the Church who will be carrying more and more weight in serving the Church. Pray always, and be grateful for the opportunity to serve God and his people.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Servant Leader Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 19th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 19th Sunday in Ordinary Time (10 August 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.
    —Jeff Ostrowski
    This Sunday’s Communion Antiphon
    This coming Sunday—10 August 2025—is the 19th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON is really gorgeous, and two of its features are worth mentioning. First of all, the Gospel reading assigned is from Saint Luke, whereas the the antiphon—although it matches the account—comes from Saint Matthew. (If anyone can point to a similar example, please notify me.) Furthermore, if you look at the authentic Gregorian Chant version posted on the feasts website, you’ll notice that it’s MODE III but ends on the ‘wrong’ note. A comparable instance of such a ‘transposed’ chant would be KYRIE IV.
    —Jeff Ostrowski
    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“There’s a world of difference between a thoughtful, wise Catholic and a bitter contrarian. In spite of what is claimed on certain blogs, being addicted to cable news and twitter does not make one an intellectual.”

— Jeff Ostrowski

Recent Posts

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  • This Sunday’s Communion Antiphon
  • Using “Ye” Vs. “You” Correctly
  • Installment #3 • “Serious Problems with the Lectionary Translation”

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