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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

World Day for Consecrated Life and Leadership from the Laity

Richard J. Clark · February 6, 2015

LL TOO CLOSE to World Day for Consecrated Life (Feb. 2nd), the Archdiocese of Boston suffered great loss in the passing of two faithful and active pastors: Msgr. Richard Mehm, Pastor of Immaculate Conception in Malden, Massachusetts and Fr. John W. Gentleman, pastor of both Sacred Heart Church, Manchester by the Sea and John the Baptist Church in Essex, Massachusetts. The sadness is made more difficult by their relatively young ages. Rev. Mehm was 66. Rev. Gentleman was 55.

Msgr. Mehm was an avid supporter of sacred music. His Director of Music and Organist, Rosalind Mohnsen, is an extraordinarily accomplished organist and recording artist. But she also had Msgr. Mehm’s support in bringing truly reverent sacred music to this suburban parish; they have been singing the propers for years. Furthermore, I was deeply honored when Msgr. Mehm backed a commission for an organ work for Rosalind Mohnsen’s twenty-fifth anniversary at Immaculate Conception Parish. Based on the Introit for the Feast of the Immaculate Conception, Gaudens Gaubedo was most fitting for his parish. This was an unusually supportive pastor and a great loss.

While I never met Fr. Gentleman, I have witnessed the outpouring of grief from fellow priests upon his passing. We shall keep them in our prayers for the repose of their souls as well as for thanksgiving for their humble service to God and his people.

HEIR PASSINGS UNDERSCORE the frailty of human life. One would have expected both to serve the Archdiocese for many more years. We not only needed them, but depended upon them. The Archdiocese of Boston, like many dioceses around the United States, faces a large number of priests retiring and not enough to take their place. While the seminary in Boston has rebounded dramatically in the last decade, there remains a relatively smaller population of diocesan priests to serve the people.

As such, a similar reality has faced much of the country: Priests and pastors are responsible for multiple parishes. (Even parochial vicars sometimes split time between parishes.) This requires a greater reliance upon lay leadership, recognized with authority or not. There is nothing new here. But it is becoming the new normal everywhere.

HIS WEEKEND, PARISHES ARE CELEBRATING the World Day for Consecrated Life. With the best and most effective priests being stretched thinner and thinner, musicians and priests must be mutually supportive. Both are immersed in the work of the liturgy, the celebration of which Geofreddo Boselli calls, the “most important act of evangelization.” (pg. 209, The Spiritual Meaning of the Liturgy) Furthermore, lay leaders need their volunteers. (I am nothing without mine.) We are all responsible for the spiritual growth and well being of our parishes.

For music directors, the pastoral nature of one’s job demands that one be a servant leader. This usually entails leadership without authority, as ultimately a pastor will always have canonical authority in a parish.

But sometimes leadership without authority is the most effective kind. It is teaching by example. It is serving by giving those in our charge the tools and therefore the ability to succeed. It is leadership by keeping the spiritual well being of an entire parish in mind, meeting them where they are at and then challenging them to move forward. (This is far different from making everyone happy and also far more important.)

Leadership without authority keeps one humble and keeps others’ best interests in one’s heart. During difficult times in the Church, let us pray for vocations and pray for our priests who need additional strength to carry out God’s work. Furthermore, pray for the lay leaders of the Church who will be carrying more and more weight in serving the Church. Pray always, and be grateful for the opportunity to serve God and his people.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Servant Leader Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

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    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
    —Corpus Christi Watershed
    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

And since it is becoming that holy things be administered in a holy manner, and of all things this sacrifice is the most holy, the Catholic Church, to the end that it might be worthily and reverently offered and received, instituted many centuries ago the holy canon, which is so free from error that it contains nothing that does not in the highest degree savor of a certain holiness and piety and raise up to God the minds of those who offer.

— Council of Trent (1562)

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  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”

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