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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

World Day for Consecrated Life and Leadership from the Laity

Richard J. Clark · February 6, 2015

LL TOO CLOSE to World Day for Consecrated Life (Feb. 2nd), the Archdiocese of Boston suffered great loss in the passing of two faithful and active pastors: Msgr. Richard Mehm, Pastor of Immaculate Conception in Malden, Massachusetts and Fr. John W. Gentleman, pastor of both Sacred Heart Church, Manchester by the Sea and John the Baptist Church in Essex, Massachusetts. The sadness is made more difficult by their relatively young ages. Rev. Mehm was 66. Rev. Gentleman was 55.

Msgr. Mehm was an avid supporter of sacred music. His Director of Music and Organist, Rosalind Mohnsen, is an extraordinarily accomplished organist and recording artist. But she also had Msgr. Mehm’s support in bringing truly reverent sacred music to this suburban parish; they have been singing the propers for years. Furthermore, I was deeply honored when Msgr. Mehm backed a commission for an organ work for Rosalind Mohnsen’s twenty-fifth anniversary at Immaculate Conception Parish. Based on the Introit for the Feast of the Immaculate Conception, Gaudens Gaubedo was most fitting for his parish. This was an unusually supportive pastor and a great loss.

While I never met Fr. Gentleman, I have witnessed the outpouring of grief from fellow priests upon his passing. We shall keep them in our prayers for the repose of their souls as well as for thanksgiving for their humble service to God and his people.

HEIR PASSINGS UNDERSCORE the frailty of human life. One would have expected both to serve the Archdiocese for many more years. We not only needed them, but depended upon them. The Archdiocese of Boston, like many dioceses around the United States, faces a large number of priests retiring and not enough to take their place. While the seminary in Boston has rebounded dramatically in the last decade, there remains a relatively smaller population of diocesan priests to serve the people.

As such, a similar reality has faced much of the country: Priests and pastors are responsible for multiple parishes. (Even parochial vicars sometimes split time between parishes.) This requires a greater reliance upon lay leadership, recognized with authority or not. There is nothing new here. But it is becoming the new normal everywhere.

HIS WEEKEND, PARISHES ARE CELEBRATING the World Day for Consecrated Life. With the best and most effective priests being stretched thinner and thinner, musicians and priests must be mutually supportive. Both are immersed in the work of the liturgy, the celebration of which Geofreddo Boselli calls, the “most important act of evangelization.” (pg. 209, The Spiritual Meaning of the Liturgy) Furthermore, lay leaders need their volunteers. (I am nothing without mine.) We are all responsible for the spiritual growth and well being of our parishes.

For music directors, the pastoral nature of one’s job demands that one be a servant leader. This usually entails leadership without authority, as ultimately a pastor will always have canonical authority in a parish.

But sometimes leadership without authority is the most effective kind. It is teaching by example. It is serving by giving those in our charge the tools and therefore the ability to succeed. It is leadership by keeping the spiritual well being of an entire parish in mind, meeting them where they are at and then challenging them to move forward. (This is far different from making everyone happy and also far more important.)

Leadership without authority keeps one humble and keeps others’ best interests in one’s heart. During difficult times in the Church, let us pray for vocations and pray for our priests who need additional strength to carry out God’s work. Furthermore, pray for the lay leaders of the Church who will be carrying more and more weight in serving the Church. Pray always, and be grateful for the opportunity to serve God and his people.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Servant Leader Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

To end an impropriety, noticed particularly at orchestral Vespers, when two or three Psalms are sung with full orchestra, and then the other Psalms and the Hymn are rapidly hurried through with organ accompaniment only […] we order that at Mass all portions of the text, including “Agnus Dei,” be sung with orchestral accompaniment. […] Moreover, the musicians are not allowed to put the instruments away and leave their places before the conclusion of the sacred function.

— Cardinal Patrizi (18 November 1856)

Recent Posts

  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)

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