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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Truth, Beauty, and Pop Culture, Part 1

Andrew R. Motyka · February 3, 2015

PRETTY REGULARLY take stances on things that are out-of-sync with my peers. It probably has to do with the fact that I was never the Cool Kid in school, or maybe that I’m a Patriots fan. Regardless of whether or not my opinions are shared by others, though, I would like to think that they are at least based on some thought and consideration, and not simply on reaction against the norm.

Lately, I have been thinking of truth, and how it relates to both beauty and the overall appeal of a subject. According to the Catechism:

Truth is beautiful in itself. Truth in words, the rational expression of the knowledge of created and uncreated reality, is necessary to man, who is endowed with intellect. But truth can also find other complementary forms of human expression, above all when it is a matter of evoking what is beyond words: the depths of the human heart, the exaltations of the soul, the mystery of God. [CCC 2500]

It is my opinion that communication and art can be truthful even when the creator doesn’t intend it that way. In other words, an author or artist might intend for their creation to make a particular statement, but end up unintentionally saying something else. Take, for example, a recently popular pop song, “Take Me to Church,” by Hozier. Turn on any popular radio station for 15 minutes and you’ll hear it. When I first heard it, I thought, “Boy, is he singing the living daylights out of that song.” My opinion of it turned when I heard the lyrics:

My Church offers no absolutes
She tells me, ‘Worship in the bedroom.’
The only heaven I’ll be sent to
Is when I’m alone with you—

I was born sick,
But I love it
Command me to be well
Amen. Amen. Amen. Amen.

The entire song is drawing a parallel between having sex with his girlfriend and religious worship. Blasphemous, right? Absolutely. However, when I heard the song more, it occurred to me that the songwriter was unintentionally saying something that is true. Does the person singing this song sound like he is happy? No, he is self-admittedly sick, and looking for a cure in the wrong place. He is worshiping a false god. There is truth here, and hence beauty, even if the singer doesn’t intend it that way. How many of us have searched for fulfillment in things that do not satisfy, only to be left hungrier in the end?

Yes, on the surface, this song is blasphemous, but it also tells a truth about human nature.

Tune in next week, when I will explain why, along these same lines, I strongly dislike Game of Thrones. Warm up your Nerd Rage.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?”

— The Vatican’s chief liturgist from 2014-2021, Interview with Edw. Pentin (23-Sep-2019)

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  • Which Mass?
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  • PDF Download • “Pange Lingua” in Simple (Contemporary) Polyphony for Three Voices

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