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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for January 2015

Jeff Ostrowski · January 12, 2015

PDF Download: Rare Hymnal By Boston’s Archbishop

Can you imagine singing all those vernacular hymns while Mass is happening?

Jeff Ostrowski · January 12, 2015

Cristóbal de Morales Missa “Ut Re Mi Fa Sol La.”

You’ll want to immediately download these scores, videos, and Mp3 files!

Fr. David Friel · January 11, 2015

What to Do with Musicam Sacram

Does the 1967 Instruction on Music in the Liturgy have any relevance today?

Veronica Brandt · January 10, 2015

We want to be fed

What do you think of a new Catechetical Lectionary?

Richard J. Clark · January 9, 2015

Saint Cecilia and an Angel Orazio Gentileschi and Giovanni Lanfranco

The Lowest Musical Aspiration Possible – Or the Highest?

Is being a church musician the lowest musical aspiration possible? Or the Highest?

Jeff Ostrowski · January 9, 2015

Short And Simple Organ Postludes & Preludes

Many of you asked me to share the results, which I have done below.

Jeff Ostrowski · January 8, 2015

“The best I have ever seen. Anywhere. In the world. Period.” —Mr. John Sonnen

“The vitality of the Classical Rite is as fresh as ever.”

Jeff Ostrowski · January 8, 2015

Musical Resources • Holy Family

Many don’t realize that all the EF chants for the Holy Family can be used at OF—cf. section 397 of the Ordo Cantus Missæ.

Jeff Ostrowski · January 7, 2015

Why Didn’t Anyone Stop This?

Here is an except from a Church bulletin published in December of 2014.

Andrew R. Motyka · January 7, 2015

The American Idolization of Liturgy

Sometimes I wish people didn’t have so many opinions about the liturgy.

Jeff Ostrowski · January 7, 2015

Was Fulton J. Sheen Ever Wrong?

There’s a discrepancy in this Sunday’s EF Introit.

Jeff Ostrowski · January 7, 2015

Rare Photograph: Archbishop Fulton J. Sheen With Father Joseph Ratzinger in 1965

Archbishop Sheen said nary a word about any liturgical reforms following the Council.

Jeff Ostrowski · January 6, 2015

Organ Processionals & Postludes: Suggestions Needed

“So many of the wonderful Preludes & Fugues by Bach—as splendid as they are—do not work as Processional pieces: they’re simply too long.”

Cynthia Ostrowski · January 5, 2015

Catholic Line Art, Black and White • Installment #65

Today’s installment is a rare image of our Lord’s Resurrection.

Aurelio Porfiri · January 5, 2015

L’Anima Mia Ha Sete Sung By Music School In Rome

Recorded for Vatican Radio with organist Aurelio Porfiri. Conducted by Sister Dolores Aguirre.

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“I would hope there is a place [at Mass] for the avant-garde in the same way I think there has to be a place—and we have to be careful with this—a place for Jazz and a place for Evangelical and all of that. […] On theological grounds, I do think we need interaction with the culture at the level of high art or at the level of more commercial pop culture.”

— Fr. Anthony Ruff (22 June 2016)

Recent Posts

  • PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)
  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship

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