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Views from the Choir Loft

‘Twas in the Moon of Wintertime

Fr. David Friel · December 26, 2014

S WE CONTINUE our celebration of our Lord’s Nativity, here is a beautiful carol penned by one of our CCW patrons, St. Jean de Brébeuf. He wrote the original in Wyandot (the native Huron tongue) as a means of evangelization.

In the hymn, Father de Brébeuf utilizes traditional concepts from Huron religion to convey the story of Christ’s Nativity. This is “inculturation” in its truest, healthiest sense. Click here for a fuller history of this carol.

The author was a courageous man very worthy of our emulation, and this is a beautiful poem quite worthy of our reflection.

‘Twas in the moon of wintertime,
when all the birds had fled,
that mighty Gitchi Manitou
sent angel choirs instead;
before their light the stars grew dim,
and wondering hunters heard the hymn:

R./ Jesus your King is born,
Jesus is born,
in excelsis gloria.

Within a lodge of broken bark
the tender Babe was found,
a ragged robe of rabbit skin
enwrapped His beauty round.
But as the hunter braves drew nigh,
the angel song rang loud and high: R./

The earliest moon of wintertime
is not so round and fair
as was the ring of glory on
the helpless Infant there.
The chiefs from far before Him knelt
with gifts of fox and beaver pelt. R./

O children of the forest free,
the angels’ song is true.
The holy Child of Earth and Heav’n
is born today for you.
Come kneel before the radiant Boy,
Who brings you beauty, peace, and joy. R./

St. Jean de Brébeuf, c. 1643
(Translated by J. Edgar Middleton, 1926, alt.)

Wishing our readers much joy as we continue to welcome Christ’s Presence among us!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Evangelization, Inculturation Last Updated: December 22, 2022

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“After the Second Vatican Council, the impression arose that the pope really could do anything in liturgical matters, especially if he were acting on the mandate of an ecumenical council. Eventually, the idea of the givenness of the liturgy, the fact that one cannot do with it what one will, faded from the public consciousness of the West.”

— Joseph Cardinal Ratzinger

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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