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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Scripture, Sacred Music, and the Actions of Our Lives

Richard J. Clark · December 26, 2014

ERE IS A FREE DOWNLOAD for the communion antiphon for the Feast of the Epiphany. The Roman Missal contains two communion antiphons, which are meant to be recited rather than sung. One of the antiphons (Matthew 2:2) happily coincides with the antiphon found in the Graduale Romanum. As such, this setting uses the antiphon found in both. I have used the 2010 translation of the Roman Missal. The verses use the 2010 Grail translation.

      * *  Free Download:
PDF • Vidimus stellam | Communion Antiphon | Epiphany of the Lord | for Schola, SATB, Organ
I had some requests for an audio sample. Here’s a demo I threw together quickly. I used the piano instead of the organ as I’ve been traveling:
      * *  YouTube:  Rehearsal DEMO

NE DISTINCT DIFFERENCE between the sung propers of the Graduale Romanum and the spoken propers of the Roman Missal, are the singing of psalm verses, which allow for further meditation, as well as repetition of the antiphon. The Roman Missal antiphons do not assign any verses, as there is no use for them in a single quick recitation.

On the Feast of the Epiphany, for example, the Communion Antiphon from the Graduale Romanum (or in the example above, the Gradule Triplex) is taken from the Gospel of the day (Mt. 2:1-12). Furthermore, the Graduale Romanum assigns Psalm 72 (71) which corresponds closely to the Responsorial Psalm of the day in the Ordinary Form. (Note the specificity of the prescribed verses. Also note the Graduale uses the Greek numbering system for the Psalms. Here’s a useful reference: Why are the Psalms numbered differently?)

These kinds of scriptural correlations are very typical of the Communion antiphons. While the Roman Missal communion antiphons also harken back to the Gospel, the addition of the psalmody and repetition of the antiphon lends it to accompanying the liturgical action.

These are very compelling reasons to sing the propers, as we sing the scriptures in union with the liturgy. In doing so, we allow the scriptures to form and shape us, while in this case, receiving the Eucharist. This is a profound relationship which may lead to even more profound prayer. In doing so, may we live our lives as Christ calls us to live.

ITTLE BY LITTLE, THIS CORRELATION is becoming more apparent to many. Sacred music, wedded to the actions of the sacred liturgy, helps us live the scriptures through the action of our lives. The principles of Lex Orandi, Lex Credendi, and Lex Vivendi remind us that as we pray what we believe, we must therefore respond to God’s call by the way that we live.

Finally, consider that the antiphons of the Church are fifteen hundred years old and the psalms about three thousand years old. Consider that the psalms are quoted in the New Testament an astounding number of times. (Let’s not minimize the role of the psalms in the mass to the Responsorial.) They have much wisdom to teach us. If one sings the psalms and antiphons weekly, this will transform one’s soul. I know I’m in desperate need of such transformation!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Propers, Singing the Mass, Sung Vs Spoken Propers Novus Ordo Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“I vividly remember going to church with him in Bournemouth. He was a devout Roman Catholic and it was soon after the Church had changed the liturgy (from Latin to English). My grandfather obviously didn’t agree with this and made all the responses very loudly in Latin while the rest of the congregation answered in English. I found the whole experience quite excruciating, but my grandfather was oblivious. He simply had to do what he believed to be right.”

— Simon Tolkien (2003)

Recent Posts

  • PDF Download • “Ubi Caritas” (SATB)
  • Summer 2026 • “Gregorian Chant Course” at Aquinas College (Nashville, TN)
  • Music List • (5th Sunday of Lent)
  • Music List • (Holy Thursday, 2026)
  • “O Escam Viatorum” • (Holy Thursday)

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