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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Scripture, Sacred Music, and the Actions of Our Lives

Richard J. Clark · December 26, 2014

ERE IS A FREE DOWNLOAD for the communion antiphon for the Feast of the Epiphany. The Roman Missal contains two communion antiphons, which are meant to be recited rather than sung. One of the antiphons (Matthew 2:2) happily coincides with the antiphon found in the Graduale Romanum. As such, this setting uses the antiphon found in both. I have used the 2010 translation of the Roman Missal. The verses use the 2010 Grail translation.

      * *  Free Download:
PDF • Vidimus stellam | Communion Antiphon | Epiphany of the Lord | for Schola, SATB, Organ
I had some requests for an audio sample. Here’s a demo I threw together quickly. I used the piano instead of the organ as I’ve been traveling:
      * *  YouTube:  Rehearsal DEMO

NE DISTINCT DIFFERENCE between the sung propers of the Graduale Romanum and the spoken propers of the Roman Missal, are the singing of psalm verses, which allow for further meditation, as well as repetition of the antiphon. The Roman Missal antiphons do not assign any verses, as there is no use for them in a single quick recitation.

On the Feast of the Epiphany, for example, the Communion Antiphon from the Graduale Romanum (or in the example above, the Gradule Triplex) is taken from the Gospel of the day (Mt. 2:1-12). Furthermore, the Graduale Romanum assigns Psalm 72 (71) which corresponds closely to the Responsorial Psalm of the day in the Ordinary Form. (Note the specificity of the prescribed verses. Also note the Graduale uses the Greek numbering system for the Psalms. Here’s a useful reference: Why are the Psalms numbered differently?)

These kinds of scriptural correlations are very typical of the Communion antiphons. While the Roman Missal communion antiphons also harken back to the Gospel, the addition of the psalmody and repetition of the antiphon lends it to accompanying the liturgical action.

These are very compelling reasons to sing the propers, as we sing the scriptures in union with the liturgy. In doing so, we allow the scriptures to form and shape us, while in this case, receiving the Eucharist. This is a profound relationship which may lead to even more profound prayer. In doing so, may we live our lives as Christ calls us to live.

ITTLE BY LITTLE, THIS CORRELATION is becoming more apparent to many. Sacred music, wedded to the actions of the sacred liturgy, helps us live the scriptures through the action of our lives. The principles of Lex Orandi, Lex Credendi, and Lex Vivendi remind us that as we pray what we believe, we must therefore respond to God’s call by the way that we live.

Finally, consider that the antiphons of the Church are fifteen hundred years old and the psalms about three thousand years old. Consider that the psalms are quoted in the New Testament an astounding number of times. (Let’s not minimize the role of the psalms in the mass to the Responsorial.) They have much wisdom to teach us. If one sings the psalms and antiphons weekly, this will transform one’s soul. I know I’m in desperate need of such transformation!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Propers, Singing the Mass, Sung Vs Spoken Propers Novus Ordo Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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President’s Corner

    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski
    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“I ask that future priests, from their time in the seminary, receive the preparation needed to understand and to celebrate Mass in Latin, and also to use Latin texts and execute Gregorian chant; nor should we forget that the faithful can be taught to recite the more common prayers in Latin, and also to sing parts of the liturgy to Gregorian chant.”

— SACRAMENTUM CARITATIS

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  • Music List • (Palm Sunday, 2026)
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  • “Priest Saying Mass” • Medieval Illumination

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