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Views from the Choir Loft

Only the Dawn

Andrew R. Motyka · December 24, 2014

525 dawn OU’RE ALMOST DONE, right? You’ve had your last choir rehearsal, finished practicing the organ, and maybe even wrapped your presents and bought your stocking stuffers (disclosure: as of the writing of this post, none of these are true for me). You’re ready for Christmas, and even better than that, the well-deserved rest on the other side of it. I know I am.

I used to get frustrated with all the Celebrating Christmas Early nonsense that infects our culture, even our fellow Catholics. What ever happened to Advent? Why can’t we wait one more month to start celebrating? Okay, okay, it still bothers me a little, especially when the celebration starts even before Thanksgiving.

My real concern, though, isn’t the early celebration. It’s that by the time Christmas actually rolls around, we’re already all celebrated-out. The decorations come down on December 26, ready to come back next November. But this is only the beginning! Christmas begins on December 25, and continues well into January (or February for the EF’ers). It’s easy to see the last Mass on Christmas Day as the finish line, when in reality it’s the start line for the party, only the dawn of the great day.

All this Advent, we’ve been waiting through the violet skies, and got a little taste when they turned rose. There’s a reason we celebrate our first Masses of Christmas at Midnight and at Dawn, as they recall Zechariah’s words that we pray every day at Morning Prayer:

In the tender compassion of our God the dawn from on high shall break upon us, to shine on those who dwell in darkness and the shadow of death, and to guide our feet into the way of peace.

Beginning with Christmas, we celebrate a new era, one in which the Almighty Creator of the universe dignified humanity by taking on flesh, ultimately to sacrifice that flesh for our sake. So while all of preparations have been focused on this new beginning, the new dawn, let’s not forget to celebrate the day that we have been looking forward to.

A nap on Thursday afternoon probably wouldn’t hurt, either.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Thus, by the celebration of a single Mass (in which he offers Jesus Christ in sacrifice), a priest gives greater honor to the Lord than if all men by dying for God offered to him the sacrifice of their lives. By a single Mass, he gives greater honor to God than all the angels and saints—along with the Blessed Virgin Mary—have given or shall give to him; for their worship cannot be of infinite value, like that which the priest celebrating on the altar offers to God.”

— Saint Alphonsus Liguori

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  • Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

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