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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

I am a fraud: A Life of Service

Richard J. Clark · December 19, 2014

CHALLENGE OF THE LITURGICAL calendar is that there is very little letup. There is no time for “coasting” along. Much of the beauty of our faith is the depth and richness of its liturgical life. This especially includes Ordinary Time (a name so vastly misunderstood: I once heard a priest from an order that shall not be named refer to it as “Regular Time.”) There is no time during the year to rest on one’s laurels. While unrelenting, I believe the richness of liturgical worship is what draws may of us in –- for life. As Goffredo Boselli observes:

“To live from the liturgy one celebrates means to live from what one experiences there: mercy invoked, the word of God heard, thanks given, Eucharist received as communion. If believers live from the liturgy, they will experience it differently, because it bears within it the spiritual energies that are essential for their growth in the spiritual life.” (The Spiritual Meaning of the Liturgy, pg. xi)

But this time of year, when church musicians are particularly busy, it is often difficult to attend to our interior prayer life and live from the liturgy—no less contemplate why we entered such a life of service. Most likely, we are navigating church politics, or if we are lucky, we are given the OK to slowly build a sacred music program over time. Even more likely, we are building a program in the face of adversity of all kinds. Yet we persist.

Why? Probably because it is not just love for what we do, but love of God and love for God’s people in the inevitable face of such adversity. Our work must be centered in Christ – not in our own wants and desires. Such work is service. Service is prayer.

ECENTLY, I REACHED TWO rather ignominious milestones: twenty-five years at St. Cecilia Parish in Boston and ten years at St. Mary’s Chapel at Boston College. Longevity is not a credential. In some ways, these milestones are a product of unusual circumstances and sheer tenacity to build upon my previous work (self-serving perhaps?).

However, I must also make a confession: I have thought about leaving this career—or at the very least, full-time parish work—most every day for much of the last decade.

But I am a fraud. I haven’t gone away. In fact, deep within, it is perhaps parish work that is the most rewarding. It is there that we truly can serve God’s people in the trenches—meet them where they are at and hope to assist in prayer and worship of God. Parish work does not insulate one from all that is challenging in human nature. In fact, parishes bring us closer to the beauty of God’s people most often because of our human frailty.

On another note, I didn’t attend the Berklee College of Music to study sacred music or the organ. (Interestingly, Berklee’s training has been key to my work – most notably, their excellent training in theory, composition, and counterpoint.) I have had vastly different ambitions in mind for my life and career. But God quickly had other plans: a lifetime of service.

It has taken a couple of decades for me to embrace that. God calls us to service at his pleasure. This often means doing much that we don’t want to do. But know that God’s beauty can be found there. For this I am grateful.

I am also grateful for the people I have met and served. Furthermore, I am grateful that I get to be their music director—doing it with wonderful musicians and for wonderful people. Along the way, there have been many to whom I truly owe my life and career.

Ultimately, it is God who sustains our work. When he calls, may we respond with joy.

Soli Deo Gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“Since the English is not meant to be sung, but only to tell people who do not understand Latin what the text means, a simple paraphrase in prose is sufficient. The versions are not always very literal. Literal translations from Latin hymns would often look odd in English. I have tried to give in a readable, generally rhythmic form the real meaning of the text.”

— Fr. Adrian Fortescue (1913)

Recent Posts

  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”
  • Fulton J. Sheen • “24-Hour Catechism”

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