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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Importance of Singing Carols

Dr. Peter Kwasniewski · December 11, 2014

0319_kwasni-101-LG N A BOOK CALLED The Ministry of Catechising, which originally appeared in French in 1868 (an English translation appeared in 1890 in London), the famous Bishop Felix Dupanloup recalled memories of his First Communion:

We were delighted with the hymns. We sung them with all our heart, and gradually, by the sweetness or the energy of the singing, the thoughts and maxims of the faith were grafted in our souls. To say the truth, it was the life of the Catechism. Without the hymns, it would all have been very cold. For me, it was the hymns more than anything which converted me and bound me forever to religion.

While readers of Views from the Choir Loft know that the Mass itself is not the optimal place for hymns, which belong more correctly in the Divine Office (with the exception of the Gloria and, if one considers it a hymn, the Sanctus), nevertheless there is an important truth to which Bishop Dupanloup bears witness: the enormous value of singing together beautiful vernacular religious songs that have the power to shape the senses, imagination, and memory, and through them, to shape the heart and mind. We are so blessed with a rich repertoire of famous Advent, Christmas, and Epiphany carols, hymns, and songs, and we should use them abundantly in our homes, in our youth groups, in prayer meetings or Adoration, when caroling in the neighborhood, visiting a nursing home or prison, or any other appropriate setting. Let us not surrender the world of sound to secular content, but fill it with joyful singing! It is, in more ways than one, a true corporal and spiritual work of mercy.

Children especially deserve to have glowing memories of carols, just as Dupanloup recounts. This is a preaching of the Gospel before the age of reason, a preaching to all the powers of the soul, not just to the intellect, which has been excessively emphasized in recent decades. Catechesis begins with the imagination. In their memoirs, the Ratzinger brothers Joseph and Georg recount how their family circle was often enlivened by the sound of singing and instruments, and how their earliest memories are bound up with music and Christian songs. One of these men went on to become an eminent musician and choral director, while the other went on to become Pope Benedict XVI. While I can’t promise that your boys will have such illustrious careers, there is no question that part of the restoration of Catholic culture is a robust culture of family and community singing.

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s Sacred Choral Works and the audio CDs that contain recordings of the pieces.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Dom Vitry never claimed chant could not be used successfully with English words. No one need take my word for it. He was a pioneer on the matter of vernacular adaptation, and I need only refer you to the many publications of his own “Fides Jubilans” press. What he said was that adaptation involved some mutilation, and that we were faced with one or the other.

— Monsignor Francis P. Schmitt (1963)

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