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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Importance of Singing Carols

Dr. Peter Kwasniewski · December 11, 2014

0319_kwasni-101-LG N A BOOK CALLED The Ministry of Catechising, which originally appeared in French in 1868 (an English translation appeared in 1890 in London), the famous Bishop Felix Dupanloup recalled memories of his First Communion:

We were delighted with the hymns. We sung them with all our heart, and gradually, by the sweetness or the energy of the singing, the thoughts and maxims of the faith were grafted in our souls. To say the truth, it was the life of the Catechism. Without the hymns, it would all have been very cold. For me, it was the hymns more than anything which converted me and bound me forever to religion.

While readers of Views from the Choir Loft know that the Mass itself is not the optimal place for hymns, which belong more correctly in the Divine Office (with the exception of the Gloria and, if one considers it a hymn, the Sanctus), nevertheless there is an important truth to which Bishop Dupanloup bears witness: the enormous value of singing together beautiful vernacular religious songs that have the power to shape the senses, imagination, and memory, and through them, to shape the heart and mind. We are so blessed with a rich repertoire of famous Advent, Christmas, and Epiphany carols, hymns, and songs, and we should use them abundantly in our homes, in our youth groups, in prayer meetings or Adoration, when caroling in the neighborhood, visiting a nursing home or prison, or any other appropriate setting. Let us not surrender the world of sound to secular content, but fill it with joyful singing! It is, in more ways than one, a true corporal and spiritual work of mercy.

Children especially deserve to have glowing memories of carols, just as Dupanloup recounts. This is a preaching of the Gospel before the age of reason, a preaching to all the powers of the soul, not just to the intellect, which has been excessively emphasized in recent decades. Catechesis begins with the imagination. In their memoirs, the Ratzinger brothers Joseph and Georg recount how their family circle was often enlivened by the sound of singing and instruments, and how their earliest memories are bound up with music and Christian songs. One of these men went on to become an eminent musician and choral director, while the other went on to become Pope Benedict XVI. While I can’t promise that your boys will have such illustrious careers, there is no question that part of the restoration of Catholic culture is a robust culture of family and community singing.

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s Sacred Choral Works and the audio CDs that contain recordings of the pieces.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“I have, on the other hand, retained several more or less traditional tunes, absolutely valueless and without merit from a musical point of view, but which seem to have become a necessity if a book is to appeal—as I hope this one will—to the varied needs of various churches.”

— A. Edmonds Tozer (1905)

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