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Views from the Choir Loft

Archives for October 2014

Fr. David Friel · October 12, 2014

The Society for Catholic Liturgy

Two Contributions from CCW Bloggers

Aurelio Porfiri · October 11, 2014

VIDEO • I Am An Elitist

These elite are people who—by means of tireless effort—try to create good art for the benefit of everyone.

Veronica Brandt · October 11, 2014

Pope Pius XII’s First Communion Day

“Pope Pius XII was, in his own way, perhaps the boldest innovator among the Popes of the twentieth century.”

Corpus Christi Watershed · October 10, 2014

Interview From Rome • Cardinal Burke: “What Happens To The First Union?”

Cardinal Burke describes how the Catholic Church can protect both parties involved in a marriage.

Richard J. Clark · October 10, 2014

Andrew Leung | Sacred Musician

There is a bond forged by those struggling to create beauty and pray the scriptures through sacred melody.

Jeff Ostrowski · October 10, 2014

Pope Francis Allows A Flock Of Children To Dance Around Him

Is it appropriate for a pope to let kids dance around him in such a crazy fashion?

Aurelio Porfiri · October 10, 2014

Aurelio Porfiri: Excerpt from “Corpus Domini” Oratorio

Are modern church musicians still composing oratorios? Yes!

Dr. Peter Kwasniewski · October 9, 2014

Death and Rebirth of Monastic Life

The death of the monastic life after the Second Vatican Council was the most devastating blow the Church received, and renewal will come from its rebirth.

Aurelio Porfiri · October 9, 2014

VIDEO • Am I A Disease?

“Reduced to the laical state” vs. “dismissal from the clerical state.”

Jeff Ostrowski · October 9, 2014

25% off all Lulu books until 15 October 2014

I can’t resist sharing a SPECIAL COUPON to save you 25% on all orders without exception!

Jeff Ostrowski · October 7, 2014

PDF Download: Extremely Rare Catholic Hymnal From London (1948)

A 355-page collection of English hymns by musicians from Westminster and Solesmes.

Guest Author · October 6, 2014

The Legacy of Simon Le Moyne & the Jesuit Martyrs in Upstate New York

Le Moyne attained the name Ondessonk (“Leader”) among the natives—a name originally given to St. Isaac Jogues, until his martyrdom.

Fr. David Friel · October 5, 2014

Pope Francis & Mike Rowe Are in Agreement

Tell People What They Need to Hear

Veronica Brandt · October 4, 2014

Peace and St Francis

St Francis worked for peace through prayer. If by singing we pray twice, then this collection of music could multiply our efforts today!

Richard J. Clark · October 3, 2014

Organists: Know Thy Sheep!

To what extent does the pipe organ’s inclusion as a worship component influence
the quality of your worship experience?

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Corpus Christi Watershed

President’s Corner

    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The Catholic Church has a dignity far surpassing that of every merely human society, for it was founded by Christ the Lord. It is altogether fitting, therefore, that the language it uses should be noble, majestic, and non-vernacular.”

— Blessed John XXIII (22 February 1962)

Recent Posts

  • Bishop François Charrière Vs. Hannibal Bugnini
  • 14th Sunday in Ordinary Time (Year C)
  • “My First Year with the Latin Mass” • A Music Director’s Perspective
  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”
  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”

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