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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for October 2014

Jeff Ostrowski · October 20, 2014

Jacqueline Kennedy & The Roman Catholic Liturgy

Kennedy had no regrets about refusing to take the blood-stained suit off.

Jeff Ostrowski · October 20, 2014

Cardinal Pell: “I’ve Never Seen Pope Francis Irritated!”

An Australian speaking Italian! Very cool to hear.

Fr. David Friel · October 19, 2014

Revitalizing Our Missionary Spirit

Celebrating Saint Isaac Jogues & Companions

Veronica Brandt · October 18, 2014

The Final Message of the Synod on the Family

The official broadcast from the Vatican.

Richard J. Clark · October 17, 2014

The Death of a Parish | A Promise of New Life?

One of the most painful spiritual experiences many Catholics suffer is the closure of their parish.

Corpus Christi Watershed · October 17, 2014

George Cardinal Pell, The Inimitable

“One father said to me, about the earlier document, that he wouldn’t want his young adult children to read it, because they’d be confused.” —Cardinal Pell

Dr. Peter Kwasniewski · October 16, 2014

In Defense of the Organ Postlude

Is the organ postlude after Mass a loud distraction that stands in the way of making one’s thanksgiving? Or is it a wholly fitting conclusion to an act of public divine worship?

Aurelio Porfiri · October 16, 2014

An Exciting Concert In Rome! — 19 October 2014

Aurelio Porfiri (Composer), Luigi Ciuffa (Conductor), Gianluca Libertucci (Organist)

Cynthia Ostrowski · October 15, 2014

Catholic Line Art, Black and White • Installment #59

Today’s installment gives an alternate version to Purification image we’ve already released.

Andrew R. Motyka · October 15, 2014

Weddings: Some Practical Advice – The End and the New Beginning

The rest of the Wedding liturgy, and some miscellaneous advice.

Aurelio Porfiri · October 14, 2014

VIDEO • Wandering Around During The Sign Of Peace

I don’t know how you feel, but being hugged by unknown people on the basis that they sit next to me is not really the best experience in the world…

Aurelio Porfiri · October 13, 2014

VIDEO • Light And Darkness

Including exclusive interviews with Fr. Corrado Maggioni and Rodolfo Papa.

Jeff Ostrowski · October 13, 2014

“Music Of An Altogether Profane And Worldy Character Is Unworthy For Church” —Bugnini

“The principles of sacredness and dignity which distinguish church music, in regard to its singing and its musical instruments, should remain intact.” —Cardinal Lercaro (1966)

Aurelio Porfiri · October 13, 2014

VIDEO • A New Mass For A New Era

“Our Archconfraternity is truly grateful to Maestro Aurelio Porfiri for the gift of this marvelous Mass which he has composed.” —Domenico Rotella

Guest Author · October 12, 2014

The Miracle of Mozart (and Friends)

Modern evidence that “modern” music may not be so “great” as the moderns would like you to think.

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

[on Latin] “No change in Mass: people have missals and can read. More vernacular can be useful in the Sacraments: Baptism, Confirmation, Extreme Unction, Matrimony.”

— Cardinal Spellman (one of the Vatican II fathers)

Recent Posts

  • New Bulletin Article • “21 September 2025”
  • How do you pronounce this word in Latin?
  • Cheap! Cheap! Cheap!
  • Children’s Repertoire: “3 Recommendations”
  • PDF Download • Dom Murray Harmonies

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