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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Mass Among the Poor

Dr. Peter Kwasniewski · September 4, 2014

HAVE NOTICED A STRANGE assumption woven into almost all of the writing done by liberals, progressives, modernists, and aging hippies on the resurgence of the traditional Latin Mass. They seem to think of this Mass as a rarefied museum piece of Baroque fastidiousness, celebrated by unfeeling rubricists, for congregations of uncharitable nostalgics, in an atmosphere of dogma and superfluous income. But maybe it is not surprising that such stereotypes thrive among those who have so little experience with the contemporary traditional scene.

Although some may find it surprising, I find it utterly fitting that the Missionary Servants of the Poor of the Third World—an heroic apostolate whose priests, nuns, and laity work with people of desperate poverty—have in recent years discovered the treasure of the usus antiquior and have embraced its celebration as a potent source of life and energy for their work. The same has been true for other congregations, such as the Missionaries of Charity and the once-flourishing Franciscans of the Immaculate. As for the congregation, it is well known that the poor, contrary to all the prognostications of clergy and experts, have flocked to Masses in the usus antiquior. The manifest reverence, pregnant silences, and redolent symbols of the old Mass speak eloquently to simple souls who find in it an encounter with the Passion of Christ that can give meaning to their own sufferings.

The traditional Roman Rite has a purity of focus and a strength of passion that make it particularly suitable for radically poor missionaries to the poor. It is a liturgy that pulls down the ego of the celebrant by plunging him into a ritual that is his demanding master, not his plaything; and yet, it is a liturgy shot through with a lover’s gestures: the altar is kissed many times, and telling phrases are repeated, just as we often do in intense situations. This Mass has the virtue of purity of heart, which Kierkegaard defined as “willing one thing.” It wills the Sacrifice of the Cross, and subordinates everything to that. As such, it is an incomparable school of poverty of spirit, conforming the worshiper to the single-hearted Christ.

Among poor people huddled in a hut, before whom a scrubby priest dressed in rags celebrates the Eucharistic sacrifice with total focus and passion―here, amid woes that drive desperate souls to meaningful prayer, there is likely to be a real participation in the ecstasy of the crucified and risen Savior.

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s Sacred Choral Works and the audio CDs that contain recordings of the pieces.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

The ratio of voices in modern choirs is usually wrong. Basses should be numerically greatest, then altos, then tenors, then sopranos. One good soprano can carry a high “A” against 30 lower voices.

— Roger Wagner

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  • PDF • “Music List” (Xmas Midnight Mass)
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