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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Many Questions | Pope Saint John Paul II’s Letter to Artists (Part 2)

Richard J. Clark · September 19, 2014

AST WEEK, POPE SAINT John Paul II’s Letter to Artists was discussed. As art expresses truth in its beauty, Saint John Paul asserted that the Church needs art.

      * *   Letter of His Holiness Pope John Paul II to Artists • 1999

VERY KIND READER sent me this beautiful three-minute video on Pope John Paul II’s “Letter to Artists”. The information accompanying the video indicates:

A tribute to John Paul II’s “Letter to Artists”, as read by students at John Paul the Great Catholic University. This video was posted in April 2014, to commemorate his canonization to sainthood, and as a gift to Christian artists throughout the world.

THIS VIDEO ACTS AS A WONDERFUL MEDITATION on the role art plays in prayer and in our relationship with God. As such, Saint John Paul’s letter opens the door to a number of questions. Here are just a few to begin a broader discussion:

1 • What role does art play in our interior and exterior prayer life?
2 • Therefore, What implications does beauty and art have for the liturgy?
3 • E.g., What roles do music, architecture, and vestments play in our prayer?
4 • Do art and beauty require intricacy and complexity?
5 • What implication does the subjective nature of judging beauty, and therefore the experience of art, have on corporate prayer?
6 • Saint John Paul stated in this letter: “The ‘beautiful’ was thus wedded to the “true”, so that through art too souls might be lifted up from the world of the senses to the eternal.” (§7) As truth is objective, is there a standard for what is beautiful?

“In order to communicate the message entrusted to her by Christ, the Church needs art.” (§12)— Pope Saint John Paul II

Pray always and be unceasingly inspired! Sacred Art in service to God and his people is a great calling—one that is encouraged by a great saint.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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President’s Corner

    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • Offertory (9 Nov.)
    This year, the feast of 9 November replaces the Sunday. The OFFERTORY ANTIPHON (PDF file) for 9 November is exceedingly beautiful. The ‘Laterani’ mansion at Rome was the popes’ residence for a thousand years. The church there still is the cathedral church of Rome—“Mother and Head of all churches of the City and of the World,” says the inscription over the entrance. It is dedicated to Our Holy Savior, but has long been commonly known as “St. John Lateran” owing to its famous baptistery of St. John the Baptist. In this church, the pope’s own ‘cathedra’ (episcopal chair) stands in the apse.
    —Jeff Ostrowski
    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“The Church has always kept, and wishes still to maintain everywhere, the language of her Liturgy; and, before the sad and violent changes of the 16th century, this eloquent and effective symbol of unity of faith and communion of the faithful was, as you know, cherished in England not less than elsewhere. But this has never been regarded by the Holy See as incompatible with the use of popular hymns in the language of each country.”

— Pope Leo XIII (1898)

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  • PDF Download • “Music List” for 9 November
  • “Music List” • 9 Nov. (Dedic. Lateran)
  • PDF Download • Offertory (9 Nov.)
  • Exclusive Interview • Hannah Houston w/ Mæstro Richard J. Clark
  • Job Opening • $65,000 per year +

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