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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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A Good Reading

Aurelio Porfiri · September 9, 2014

HAVE OFTEN MENTIONED the name of Divo Barsotti. Divo Barsotti—who died at the age of 92 on February 15, 2006, at his hermitage of Saint Sergius in Settignano, north of Florence—was a priest, a theologian, the founder of the Community of the Children of God, and an extraordinary mystic and spiritual master.

When I discovered his works, in 2005, he was already very old and sick. So I came to know him indirectly through contact with Fr. Serafino Tognetti, the successor of Divo Barsotti as superior of the “Comunita’ dei Figli di Dio,” the congregation Fr. Barsotti had created. From that first contact, I started to study the books of Father Barsotti, reading book after book (he was a hugely prolific writer) and discovering the deepness of this man, a man that was also struggling with the Church at his time, as it has happened for many holy men. As I have mentioned, he was a Christian of extraordinary deepness, presenting a sort of new understanding of our relationship with God.

His works were not progressive, but always respectful and devoted to religious superiors and Catholic hierarchy. But still, having a very strong personality and the gift of parrhesia (the art of speaking clearly and without hypocrisy), sometimes he may have attracted some problems, that he always accepted as a message that God was sending him.

I HAVE RECENTLY FINISHED READING the biography written by Fr. Tognetti, published in Italy by Edizioni San Paolo with the name “Divo Barsotti. Il sacerdote, il mistico, il padre.” It is also available in English from Saint Paul Publications, with the title: “Divo Barsotti. Priest, Mystic, Father.” I am very happy that a work like this is now available for the English speaking world. Divo Barsotti was a lover of the Mass, of Gregorian chant, of Catholic tradition. I was able to see a video on YouTube of Father Barsotti saying the Mass, in which he interrupts himself many times, because of tears streaming incessantly when he was pronouncing the words of the consecration. He was a man immersed in God and his books about liturgy give us an idea of the deepness of what the Mass is and should be and the consciousness of Catholics.

The thoughts of Fr. Barsotti are not devotional or pious, but essential. He is a sort of artist of the word, trying to look for the naked idea more than constructing very pious statements with the help of a well-researched rhetoric. I cannot deny that his ideas have a deep influence on my own personal reflection. This is why I dedicated two books to him drawing on topics that use his teachings.


BOTTEGA • Aurelio Porfiri is where you can discover
many of Mæstro Porfiri’s compositions in PDF format.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Rev Divo Barsotti Last Updated: January 1, 2020

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“As a little child, Christ is presented in the temple, the Lawgiver obeying His law. Here the Redeemer offers Himself and is redeemed at a pauper’s price.”

— Father Augustine Thomas Ricchini (d. 1779)

Recent Posts

  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)

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