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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Good Reading

Aurelio Porfiri · September 9, 2014

HAVE OFTEN MENTIONED the name of Divo Barsotti. Divo Barsotti—who died at the age of 92 on February 15, 2006, at his hermitage of Saint Sergius in Settignano, north of Florence—was a priest, a theologian, the founder of the Community of the Children of God, and an extraordinary mystic and spiritual master.

When I discovered his works, in 2005, he was already very old and sick. So I came to know him indirectly through contact with Fr. Serafino Tognetti, the successor of Divo Barsotti as superior of the “Comunita’ dei Figli di Dio,” the congregation Fr. Barsotti had created. From that first contact, I started to study the books of Father Barsotti, reading book after book (he was a hugely prolific writer) and discovering the deepness of this man, a man that was also struggling with the Church at his time, as it has happened for many holy men. As I have mentioned, he was a Christian of extraordinary deepness, presenting a sort of new understanding of our relationship with God.

His works were not progressive, but always respectful and devoted to religious superiors and Catholic hierarchy. But still, having a very strong personality and the gift of parrhesia (the art of speaking clearly and without hypocrisy), sometimes he may have attracted some problems, that he always accepted as a message that God was sending him.

I HAVE RECENTLY FINISHED READING the biography written by Fr. Tognetti, published in Italy by Edizioni San Paolo with the name “Divo Barsotti. Il sacerdote, il mistico, il padre.” It is also available in English from Saint Paul Publications, with the title: “Divo Barsotti. Priest, Mystic, Father.” I am very happy that a work like this is now available for the English speaking world. Divo Barsotti was a lover of the Mass, of Gregorian chant, of Catholic tradition. I was able to see a video on YouTube of Father Barsotti saying the Mass, in which he interrupts himself many times, because of tears streaming incessantly when he was pronouncing the words of the consecration. He was a man immersed in God and his books about liturgy give us an idea of the deepness of what the Mass is and should be and the consciousness of Catholics.

The thoughts of Fr. Barsotti are not devotional or pious, but essential. He is a sort of artist of the word, trying to look for the naked idea more than constructing very pious statements with the help of a well-researched rhetoric. I cannot deny that his ideas have a deep influence on my own personal reflection. This is why I dedicated two books to him drawing on topics that use his teachings.


BOTTEGA • Aurelio Porfiri is where you can discover
many of Mæstro Porfiri’s compositions in PDF format.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Rev Divo Barsotti Last Updated: January 1, 2020

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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President’s Corner

    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“The chapter decides to penalize singers or instrumentalists who are tardy by a few minutes at the same rate as if they had been absent the whole hour.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (2 June 1563 )

Recent Posts

  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)
  • 2-Voice Arr. • “Creator of the Starry Height”

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