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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Mass Among the Poor

Dr. Peter Kwasniewski · September 4, 2014

HAVE NOTICED A STRANGE assumption woven into almost all of the writing done by liberals, progressives, modernists, and aging hippies on the resurgence of the traditional Latin Mass. They seem to think of this Mass as a rarefied museum piece of Baroque fastidiousness, celebrated by unfeeling rubricists, for congregations of uncharitable nostalgics, in an atmosphere of dogma and superfluous income. But maybe it is not surprising that such stereotypes thrive among those who have so little experience with the contemporary traditional scene.

Although some may find it surprising, I find it utterly fitting that the Missionary Servants of the Poor of the Third World—an heroic apostolate whose priests, nuns, and laity work with people of desperate poverty—have in recent years discovered the treasure of the usus antiquior and have embraced its celebration as a potent source of life and energy for their work. The same has been true for other congregations, such as the Missionaries of Charity and the once-flourishing Franciscans of the Immaculate. As for the congregation, it is well known that the poor, contrary to all the prognostications of clergy and experts, have flocked to Masses in the usus antiquior. The manifest reverence, pregnant silences, and redolent symbols of the old Mass speak eloquently to simple souls who find in it an encounter with the Passion of Christ that can give meaning to their own sufferings.

The traditional Roman Rite has a purity of focus and a strength of passion that make it particularly suitable for radically poor missionaries to the poor. It is a liturgy that pulls down the ego of the celebrant by plunging him into a ritual that is his demanding master, not his plaything; and yet, it is a liturgy shot through with a lover’s gestures: the altar is kissed many times, and telling phrases are repeated, just as we often do in intense situations. This Mass has the virtue of purity of heart, which Kierkegaard defined as “willing one thing.” It wills the Sacrifice of the Cross, and subordinates everything to that. As such, it is an incomparable school of poverty of spirit, conforming the worshiper to the single-hearted Christ.

Among poor people huddled in a hut, before whom a scrubby priest dressed in rags celebrates the Eucharistic sacrifice with total focus and passion―here, amid woes that drive desperate souls to meaningful prayer, there is likely to be a real participation in the ecstasy of the crucified and risen Savior.

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s Sacred Choral Works and the audio CDs that contain recordings of the pieces.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski
    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“The unity of language in the liturgy is so great a treasure for the Church that no advantage could compensate for its demise.”

— Dom Anselmo Albareda (2 January 1953), Father Nicola Giampietro, page 249

Recent Posts

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  • They did a terrible thing
  • What surprised me about regularly singing the Gloria in Latin

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