• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Forty Hours Sermon

Guest Author · August 6, 2014

Originally given on 13 October 2013.

EVERAL YEARS AGO when I was still living in the diocese of Lexington, KY, the priests there were asked to do a ‘pulpit exchange.’ This meant that one Sunday they were to preach at a different Church and tell the story of their priestly vocation. In other words how and why they happened to become priests.

Now probably each priest’s story is different, and possibly way different. So all we could do was to tell it like it was for us. My journey, shall I call it, really began very early in life. I remember the first time that Sister took us to Church in the first grade, and explained to us how Jesus was present there: how He became present at Mass through the priest. When I heard that, the thought ran through my mind that maybe someday I too would like to be a priest to be able to do that. Now I’m not saying that I had this idea from then on out, but I can say that was the time that the idea first struck me.

But then, as I recounted the story in my sermon I made perhaps an unfortunate, and in the opinion of some, an inappropriate remark. I said something to the effect that if that had been one of those churches where the Blessed Sacrament had been relegated to some side chapel or closet, that would not have happened. The Church in which I was preaching happened to be one of those Churches which didn’t have the Blessed Sacrament in it, and my remark caused quite a stir. I even received a call from the chancellor the next day that I shouldn’t express my personal opinions about things in my sermons. I simply told the chancellor that I was asked to tell how my vocation to the priesthood started, and that was the story of the beginnings of my vocation to the priesthood. I couldn’t change that.

I can tell this story here at Old St. Mary’s because I don’t think the position of the tabernacle is going to be a source of controversy among you good people. You want our Lord’s real presence in the Blessed Sacrament to be right in the center or most important place in the Church. I am sure you have one of the highest records of Eucharistic Adoration time in the entire Diocese. What you do is real ‘Faith in action.’ You show by your actions what you believe in regard to the Eucharist. You might not have the theological insight of a St. Thomas Aquinas, Fides quaerens intellectum, that faith seeking understanding. Yours is more the practical faith of St. Francis who insisted that the altar linens and furnishings be kept clean and spotless out of reverence for the King of Kings Who is present.

We are concluding three special days of honor of our Lord in the Blessed Sacrament. Our faith, our belief in the Eucharist is based on the simple, yet tremendous act of our Lord at the Last Supper. On the night before He died, in anticipation of his death on the Cross the next day, He took bread and said, “This is my Body which will be given up for you.” And then He took the cup of wine and said, “This is the Chalice of My Blood, which will be shed for you. Do this in remembrance of me.” This was the first Mass, looking forward to what was going to happen the next day. Every Mass offered since is the same, making re-present what happened on Calvary. And yes, the same Jesus, Lord and God is present. He it is that we are especially honoring by this Forty Hour devotion. Incidentally the number forty was derived from approximately the number of hours that Jesus lay in the tomb. But now it is the Risen, the living Christ whom we are adoring and Who is present on all altars and in our tabernacles. What else can we say? What else need we say, but “Increase our faith, O Lord; Increase the faith of all who believe in you.”


We hope you enjoyed this homily by Fr. Valentine Young, OFM.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Gregorian chant is the sacred chant, proper and principal of the Roman Church. Therefore, not only can it be used in all liturgical actions, but unless there are mitigating circumstances, it is preferable to use it instead of other kinds of sacred music.”

— §16, De Musica Sacra (1958)

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.