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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Assumption Mass

Fr. David Friel · August 13, 2014

OR ALL THOSE in striking distance of the Delaware Valley, please make note of the open invitation to the Assumption Mass being offered this Friday evening in Philadelphia. The Assumption Mass tradition began fourteen years ago as an act of gratitude to God for the establishment of Mater Ecclesiae, the first diocesan-owned and staffed TLM parish in the United States (part of the Camden Diocese). This is the first year that the Mass will be celebrated in the Cathedral Basilica of Ss. Peter & Paul in Philadelphia.

The Celebrant of the Mass, who will also deliver the sermon, is Msgr. Andrew Wadsworth. Originally a priest of the Diocese of Westminster, London, he is now the superior of the Oratorian Community of St Philip Neri, an oratory in formation in the Archdiocese of Washington. Msgr. Wadsworth has also served as Executive Director of the International Commission for English in the Liturgy (ICEL) since 2009, responsible for the English translations of Latin liturgical texts for use in the Anglophone world.

Each year, the Assumption Mass features terrific orchestral and choral music. This year, the Ordinary of the Mass will be the Missa in Angustiis, or “Lord Nelson Mass,” of Franz Joseph Haydn, sung with full orchestra. Other works will include the motets Salve Regina by Antonio Salieri, Salutatio D.N.I.C. by Ludwig Senfl, Beata Viscera Gregor Aichinger, the Adagio from Tomaso Albioni’s Concerto for 2 Oboes in G Major, the Hodie Maria Virgo by Luca Marenzio, and the Tantum Ergo by Mozart. The postlude will be Concerto for 2 trumpets in D Major by Giuseppe Maria Jacchini. The traditional hymns O Sanctissima and Hail, Holy Queen, arranged by the Music Director, Dr Timothy McDonnell, will also be sung.

This Solemn High Mass of the Assumption, celebrated in the Extraordinary Form, will begin at 7 PM at the Cathedral Basilica of Ss. Peter & Paul (18th Street & Benjamin Franklin Parkway). All are welcome.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Beauty in the Catholic Liturgy, Extraordinary Form 1962 Missal, Latin Mass, Roman Missal Third Edition, Summorum Pontificum, Traditional Latin Mass Tridentine Rite Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“The Night Office—Nocturns or Matins—except for Holy Week, Easter Octave, and Christmas, has never appeared in the Vatican edition. The larger part of the mediaeval repertory for the Office thus remains still unpublished in the Vatican edition, and is likely to remain so, for the obvious reason that almost no cathedral chapters or monastic choirs sing the Night Office regularly today.”

— John Merle Boe (1968)

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  • “Music List” • 5th Sunday of Easter (Year C)
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