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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

CMAA Colloquium and Hoosier Hospitality

Andrew R. Motyka · July 9, 2014

ANY THINGS have been said about this past week in Indianapolis. We have seen pictures of the beautiful liturgies, we have listened to descriptions of edifying lectures, and of course, we have heard the transcendent music that resounded throughout the church. What cannot be shown in pictures or heard in recordings, however, are the connections that are made with fellow musicians dedicated to reverence in the sacred liturgy.

It is far too easy for musicians to be isolated in our own parishes, not connecting with our peers or broadening our knowledge and experience. I know that unless I force myself to attend events like the CMAA Colloquium or other events with fellow musicians, I run the risk of subjecting the local liturgy to my own limited ideas and intelligence.

Since this year’s Colloquium was in Indianapolis, it was easy for me to make the decision to attend. Because this is my home turf, it was a much more relaxed environment for me to socialize and communicate with my fellow attendees. I normally have a hard time in crowds of strangers, especially in groups like this that are filled with people that are much smarter than me. I was fortunate enough to give a presentation on Friday, which I hope to use as fodder for several posts in the future. The presentation was about the gradual implementation of the propers in the average parish, and one subject I focused on was making connections with the people in your parish. People should always be valued more than systems, and so it was with this gathering. Instead of interacting with forum avatars or Facebook messages, I could meet with people face to face and have real conversations.

The greatest connection for me, however, was actually singing with these people. I was in the polyphonic choir that sang Victoria’s Requiem a 4 on Saturday afternoon, a gorgeous piece of music by one of my favorite composers. For one thing, it is joy to sing in a choir which I am not directing. I don’t get to do that often, so I took in every moment of it. Furthermore, singing alongside someone creates a bond even between strangers. Sharing that kind of beauty was worth the entire week, in my opinion.

At the closing Mass, Archbishop Tobin mentioned the idea of “Hoosier Hospitality,” something my fellow Indiana residents take pride in. I can’t take credit for any of that; I am a born and raised Masshole. I do, however, understand what it is like to be taken in by this wonderful city and made to feel welcome in a place far from home. I have experienced that fabled hospitality since I arrived 2 years ago. I hope my fellow musicians felt the same this week, and were as edified and energized by the experience to get back to it in their own parishes.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 14 September (Holy Cross)
    Readers have expressed interest in perusing the ORDER OF MUSIC I prepared for 14 September 2025, which is the Feast of Exaltation of the Holy Cross. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

The local church should be conscious that church worship is not really the same as what we sing in a bar, or what we sing in a convention for youth.

— Francis Cardinal Arinze (2005)

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