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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

CMAA Colloquium and Hoosier Hospitality

Andrew R. Motyka · July 9, 2014

ANY THINGS have been said about this past week in Indianapolis. We have seen pictures of the beautiful liturgies, we have listened to descriptions of edifying lectures, and of course, we have heard the transcendent music that resounded throughout the church. What cannot be shown in pictures or heard in recordings, however, are the connections that are made with fellow musicians dedicated to reverence in the sacred liturgy.

It is far too easy for musicians to be isolated in our own parishes, not connecting with our peers or broadening our knowledge and experience. I know that unless I force myself to attend events like the CMAA Colloquium or other events with fellow musicians, I run the risk of subjecting the local liturgy to my own limited ideas and intelligence.

Since this year’s Colloquium was in Indianapolis, it was easy for me to make the decision to attend. Because this is my home turf, it was a much more relaxed environment for me to socialize and communicate with my fellow attendees. I normally have a hard time in crowds of strangers, especially in groups like this that are filled with people that are much smarter than me. I was fortunate enough to give a presentation on Friday, which I hope to use as fodder for several posts in the future. The presentation was about the gradual implementation of the propers in the average parish, and one subject I focused on was making connections with the people in your parish. People should always be valued more than systems, and so it was with this gathering. Instead of interacting with forum avatars or Facebook messages, I could meet with people face to face and have real conversations.

The greatest connection for me, however, was actually singing with these people. I was in the polyphonic choir that sang Victoria’s Requiem a 4 on Saturday afternoon, a gorgeous piece of music by one of my favorite composers. For one thing, it is joy to sing in a choir which I am not directing. I don’t get to do that often, so I took in every moment of it. Furthermore, singing alongside someone creates a bond even between strangers. Sharing that kind of beauty was worth the entire week, in my opinion.

At the closing Mass, Archbishop Tobin mentioned the idea of “Hoosier Hospitality,” something my fellow Indiana residents take pride in. I can’t take credit for any of that; I am a born and raised Masshole. I do, however, understand what it is like to be taken in by this wonderful city and made to feel welcome in a place far from home. I have experienced that fabled hospitality since I arrived 2 years ago. I hope my fellow musicians felt the same this week, and were as edified and energized by the experience to get back to it in their own parishes.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion for Sunday
    The COMMUNION ANTIPHON with fauxbourdon psalm verses for this coming Sunday (3 May 2026) is elegant and poignant. It’s such a shame it only comes every three years. This piece—along with all the musical scores for this coming Sunday, which is the 5th Sunday of Easter (Year A)—can be downloaded free of charge from the flourishing feasts website. By the way, how is it already 2026?
    —Jeff Ostrowski
    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

We cannot exaggerate our indebtedness to Dr. Julian’s “Dictionary of Hymnology,” a monumental work, without which we could not have reached the high standard of accuracy, as to both texts and authorship, which we set before us when entering upon our labours.

— Committee for “New English Hymnal” (1906)

Recent Posts

  • PDF Download • Communion for Sunday
  • “Translating the Bible” • Msgr. Ronald Knox (1953)
  • Season’s End Repertoire
  • PDF Download • “Funeral Procession”
  • Re: The “Correct” Way To Sing Gregorian Chant

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