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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

CMAA Colloquium and Hoosier Hospitality

Andrew R. Motyka · July 9, 2014

ANY THINGS have been said about this past week in Indianapolis. We have seen pictures of the beautiful liturgies, we have listened to descriptions of edifying lectures, and of course, we have heard the transcendent music that resounded throughout the church. What cannot be shown in pictures or heard in recordings, however, are the connections that are made with fellow musicians dedicated to reverence in the sacred liturgy.

It is far too easy for musicians to be isolated in our own parishes, not connecting with our peers or broadening our knowledge and experience. I know that unless I force myself to attend events like the CMAA Colloquium or other events with fellow musicians, I run the risk of subjecting the local liturgy to my own limited ideas and intelligence.

Since this year’s Colloquium was in Indianapolis, it was easy for me to make the decision to attend. Because this is my home turf, it was a much more relaxed environment for me to socialize and communicate with my fellow attendees. I normally have a hard time in crowds of strangers, especially in groups like this that are filled with people that are much smarter than me. I was fortunate enough to give a presentation on Friday, which I hope to use as fodder for several posts in the future. The presentation was about the gradual implementation of the propers in the average parish, and one subject I focused on was making connections with the people in your parish. People should always be valued more than systems, and so it was with this gathering. Instead of interacting with forum avatars or Facebook messages, I could meet with people face to face and have real conversations.

The greatest connection for me, however, was actually singing with these people. I was in the polyphonic choir that sang Victoria’s Requiem a 4 on Saturday afternoon, a gorgeous piece of music by one of my favorite composers. For one thing, it is joy to sing in a choir which I am not directing. I don’t get to do that often, so I took in every moment of it. Furthermore, singing alongside someone creates a bond even between strangers. Sharing that kind of beauty was worth the entire week, in my opinion.

At the closing Mass, Archbishop Tobin mentioned the idea of “Hoosier Hospitality,” something my fellow Indiana residents take pride in. I can’t take credit for any of that; I am a born and raised Masshole. I do, however, understand what it is like to be taken in by this wonderful city and made to feel welcome in a place far from home. I have experienced that fabled hospitality since I arrived 2 years ago. I hope my fellow musicians felt the same this week, and were as edified and energized by the experience to get back to it in their own parishes.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

When we say: “The people like this” we regard them as unable to develop, as animals rather than human beings, and we simply neglect our duties in helping them towards a true human existence — indeed, in this case, to truly Christian existence.

— Professor László Dobszay (2003)

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