• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Music Rules Over Us

Dr. Peter Kwasniewski · July 3, 2014

COLLEAGUE OF MINE shared with me a text he found in a fairly obscure medieval treatise. He was very excited about its content and knew that I would be as well:

MUSIC RULES OVER US, given that we are held together through it. When nature catches in voices what she feels innate within her, she is moved with a deep, wondrous affection, since like rejoices in like. Music endows voices, removes anger, suggests and persuades to clemency. And every age, every sex, and the nature of almost all souls is moved by the judgment of music. And what about thrushes, swans, nightingales, and other sweet songed souls impelled by music to utter their loquacious comfort? Just as they breathe without labor, so too do they sing. This is a sign that music is innate in souls, since those things which have no free will with which to deliberate, produce (led by nature alone) harmonious voices, and celebrate with those singing with them. Through the comfort of music the Theban Isemenia used to heal the maladies of the Thebans. And so too did David with the royal madness [of King Saul]. And we even read that Empedocles with a swaying mode calmed the youth who was rushing at his host, since he had accused his father. The Pythagoreans, also by song, caused a light and pleasant sleep to waft over themselves; just as by other modes they used to shake off the stupor of sleep once they awoke. What shall we say about how such a diversity of souls are pleased by a variety of modes?

The author is Bernard Silvestris; the work, a commentary on Martianus Capella.

When asked the question “What is the best guardian?,” Socrates says: “Argument mixed with music. It alone, when it is present, dwells within the one possessing it as a savior of virtue throughout life” (549b). Argument mixed with music: this sounds to me like a description of Gregorian chant, which artfully combines the Word of God, the , the music of the angels. It can dwell within our souls as a savior of the theological virtues, expressing faith, spurring on hope, fueling charity.

We internalize the music we sing and listen to―it becomes a part of us, it shapes us in its image. You are what you listen to and look at, more than you are what you eat. As Pope Benedict once said, air is to biological life what the Holy Spirit is to spiritual life. What we take into our souls is the food and drink of our souls, and we will be healthy or unhealthy depending on the quality of that food and drink. If our music is that of the Holy Spirit, we will be eating and drinking the spirit of truth, the love of the Father and the Son. If our music is that of the world or the prince of this world, we will be eating and drinking the spirit of worldliness. We cannot be too careful about this dietary discernment.

What is the depth and breadth of the music you listen to? How deep into the reality of God and your immortal soul does it delve? How well does it encompass and echo the grandeur of the world around us?

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s Sacred Choral Works and the audio CDs that contain recordings of the pieces.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 2nd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“How on earth in the [post-conciliar] liturgy for the dead should there be no more mention of sin and expiation? There’s a complete absence of imploring the Lord’s mercy. […] Although the texts were beautiful they were still lacking in the sense of sin and the sense of mercy. But we need this! And when my final hour comes, ask for mercy for me from the Lord, because I have such need of it!”

— Pope Saint Paul VI (3 June 1971)

Recent Posts

  • “New Hope For Sacred Music!” • Richard J. Clark Interviews Dr. Myrna Keough
  • Fulton J. Sheen • “24-Hour Catechism”
  • “Information Requested About Hymnals”
  • “Lamb of God” (Musical Setting)
  • “Sacred Music Journal” Editor Sings w/ Our Choir

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.