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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Music Rules Over Us

Dr. Peter Kwasniewski · July 3, 2014

COLLEAGUE OF MINE shared with me a text he found in a fairly obscure medieval treatise. He was very excited about its content and knew that I would be as well:

MUSIC RULES OVER US, given that we are held together through it. When nature catches in voices what she feels innate within her, she is moved with a deep, wondrous affection, since like rejoices in like. Music endows voices, removes anger, suggests and persuades to clemency. And every age, every sex, and the nature of almost all souls is moved by the judgment of music. And what about thrushes, swans, nightingales, and other sweet songed souls impelled by music to utter their loquacious comfort? Just as they breathe without labor, so too do they sing. This is a sign that music is innate in souls, since those things which have no free will with which to deliberate, produce (led by nature alone) harmonious voices, and celebrate with those singing with them. Through the comfort of music the Theban Isemenia used to heal the maladies of the Thebans. And so too did David with the royal madness [of King Saul]. And we even read that Empedocles with a swaying mode calmed the youth who was rushing at his host, since he had accused his father. The Pythagoreans, also by song, caused a light and pleasant sleep to waft over themselves; just as by other modes they used to shake off the stupor of sleep once they awoke. What shall we say about how such a diversity of souls are pleased by a variety of modes?

The author is Bernard Silvestris; the work, a commentary on Martianus Capella.

When asked the question “What is the best guardian?,” Socrates says: “Argument mixed with music. It alone, when it is present, dwells within the one possessing it as a savior of virtue throughout life” (549b). Argument mixed with music: this sounds to me like a description of Gregorian chant, which artfully combines the Word of God, the , the music of the angels. It can dwell within our souls as a savior of the theological virtues, expressing faith, spurring on hope, fueling charity.

We internalize the music we sing and listen to―it becomes a part of us, it shapes us in its image. You are what you listen to and look at, more than you are what you eat. As Pope Benedict once said, air is to biological life what the Holy Spirit is to spiritual life. What we take into our souls is the food and drink of our souls, and we will be healthy or unhealthy depending on the quality of that food and drink. If our music is that of the Holy Spirit, we will be eating and drinking the spirit of truth, the love of the Father and the Son. If our music is that of the world or the prince of this world, we will be eating and drinking the spirit of worldliness. We cannot be too careful about this dietary discernment.

What is the depth and breadth of the music you listen to? How deep into the reality of God and your immortal soul does it delve? How well does it encompass and echo the grandeur of the world around us?

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s Sacred Choral Works and the audio CDs that contain recordings of the pieces.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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President’s Corner

    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski
    “Music List” • 14 September (Holy Cross)
    Readers have expressed interest in perusing the ORDER OF MUSIC I prepared for 14 September 2025, which is the Feast of Exaltation of the Holy Cross. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

If it is the explicit will of the Council that the faithful are to be able to sing the “Gloria” or the “Credo” together in Latin [which it is] then indirectly there is being expressed here the obligation of regularly celebrating Mass with Latin Gregorian chant. And not merely occasionally, but with such frequency and constancy as to make the singing of these Latin texts a genuine possession of the faithful.

— Heinrich Flatten, Apostolic Protonotary & Canon Law Professor (Bonn)

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  • Charlie Kirk’s Fascination with Traditional Catholic Liturgy

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