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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Missionaries

Aurelio Porfiri · July 29, 2014

0319_jaricot-LG WOULD LIKE TO DISCUSS people that aren’t as popular today as they were decades ago: I am talking about missionaries. Yes, these men and women leave their countries to go in foreign lands and proclaim the Gospel of Jesus. Today they are out of fashion, because most of the countries where they were sent to many years ago are now more prosperous than their countries of provenience; and when people become prosperous religion becomes an accessory.

As you know I live in Macau, China. I am always amazed at the work of these men and women that here, in the same city where I walk every day, bring not only the Word of Jesus, but also the fruits of western civilization (developed also thanks to Christianity). I think about Matteo Ricci, ready to go to China and share with the Chinese, among other things, western music; I also think about Alessandro Valignano, that created the first University in Asia, the college of Saint Paul; I think about Robert Morrison, a protestant missionary, working on his translation of the Bible in Chinese; I think about Gabriele Allegra, now Blessed, taking care of the lepers in the colony of Ka Ho….and I see countless others that together with the Gospel also announce the splendor of our art, culture, and civilization.

Some people, usually politically correct cynic people, will start to shout about the imposition of a foreign culture to a local population. But these were gifts, and if you receive a beautiful gift, even coming from the other part of the world, you do not think to refuse it. For example: over the years I have met with many students from the pre-seminary school here, all of them pure Chinese and all of them with the memories of their far ago years of studies. When they talk about those years, knowing I am a musician, they will sing some chant or motet they remember, all in Latin. Does any one of them show any regret for that? No. Indeed, they can appreciate the beauty and spirituality of this music.

But other people prefer to substitute the treasures of our tradition with the so called contemporary style. And so comes my question: isn’t that coming from outside? Asians invented pop music? Or Italians? Or is this a phenomenon developed in Anglo-Saxon countries? I have come to dislike politically correct people. They are the ones that, as Oscar Wilde put it, know the prices of everything but the value of nothing. Maybe today we need missionaries of a different kind, ready to announce the beauty of our faith and tradition with an understanding of the new needs of a changing world.


BOTTEGA • Aurelio Porfiri is where you can discover
many of Mæstro Porfiri’s compositions in PDF format.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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President’s Corner

    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“You have thereby removed from the celebration of the Mass all superstitions, all greed for lucre, and all irreverence … removed its celebrations from private homes and profane places to holy and consecrated sanctuaries. You have banished from the temple of the Lord the more effeminate singing and musical compositions.”

— ‘Bishop Racozonus, speaking at the last session of the Council of Trent (1563)’

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