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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Missionaries

Aurelio Porfiri · July 29, 2014

0319_jaricot-LG WOULD LIKE TO DISCUSS people that aren’t as popular today as they were decades ago: I am talking about missionaries. Yes, these men and women leave their countries to go in foreign lands and proclaim the Gospel of Jesus. Today they are out of fashion, because most of the countries where they were sent to many years ago are now more prosperous than their countries of provenience; and when people become prosperous religion becomes an accessory.

As you know I live in Macau, China. I am always amazed at the work of these men and women that here, in the same city where I walk every day, bring not only the Word of Jesus, but also the fruits of western civilization (developed also thanks to Christianity). I think about Matteo Ricci, ready to go to China and share with the Chinese, among other things, western music; I also think about Alessandro Valignano, that created the first University in Asia, the college of Saint Paul; I think about Robert Morrison, a protestant missionary, working on his translation of the Bible in Chinese; I think about Gabriele Allegra, now Blessed, taking care of the lepers in the colony of Ka Ho….and I see countless others that together with the Gospel also announce the splendor of our art, culture, and civilization.

Some people, usually politically correct cynic people, will start to shout about the imposition of a foreign culture to a local population. But these were gifts, and if you receive a beautiful gift, even coming from the other part of the world, you do not think to refuse it. For example: over the years I have met with many students from the pre-seminary school here, all of them pure Chinese and all of them with the memories of their far ago years of studies. When they talk about those years, knowing I am a musician, they will sing some chant or motet they remember, all in Latin. Does any one of them show any regret for that? No. Indeed, they can appreciate the beauty and spirituality of this music.

But other people prefer to substitute the treasures of our tradition with the so called contemporary style. And so comes my question: isn’t that coming from outside? Asians invented pop music? Or Italians? Or is this a phenomenon developed in Anglo-Saxon countries? I have come to dislike politically correct people. They are the ones that, as Oscar Wilde put it, know the prices of everything but the value of nothing. Maybe today we need missionaries of a different kind, ready to announce the beauty of our faith and tradition with an understanding of the new needs of a changing world.


BOTTEGA • Aurelio Porfiri is where you can discover
many of Mæstro Porfiri’s compositions in PDF format.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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Corpus Christi Watershed

President’s Corner

    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“There is no music worth hearing save that written in the last 40 years.”

— Johannes Tinctoris (1477)

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