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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Facebook, Scammers, and the Economy of Words

Aurelio Porfiri · July 28, 2014

218 Francis VERY TWO OR THREE DAYS I receive a Facebook message from different (good looking) girls using these lines: “Do you want to know more about me? Please write me at my personal e-mail.” I would like to take this occasion to answer all of them, even if I am a little doubtful that they are reading these articles.

No, dear girls, I do not want to know more about you, but maybe it would be good for you to know something more about me. If you know more about me you will realize that a person like me does not believe you can know someone using words, words and more words (and in your case, I suppose… scams), rather, you should enter into contact with another through deep emotional communication. I want to call this testimony.

Now, I digress to arrive to another point: today we have an inflation of words everywhere. Some people think they can convince us only with the sound of their voices. Of course this is true up to a point: rhetoric is serious matter and works well in our daily life. But when we come to Mass we should allow rhetoric to give space to spiritual involvement. So, indeed, the verbal excesses should be considered against the very purpose of the Mass: giving space to the Presence, that is shown to us through an apparent absence (at least in a physical sense).

I do not want to touch too much on the issue of the homily, but I should say something about that: some priests think that the Mass is the background that gives space to their rhetorical skills. Hey, wait! Rhetoric can be useful for the time of the homily (no more than 7 minutes would be perfect) but if the Mass becomes the excuse to contain the speech of the priest it means we are missing a point. Indeed we need testimonies, priests that show with their example, more than with their words, what it is to be a follower of Christ. Saint Francis is often credited for saying: preach with every means, if necessary with words. What is meant by this is that we should preach with our life more than with thousands of words.

There is also the danger of priests that adopt the homily with extensions. Those priests, besides the half hour of the homily in the canonical place, benefit us also with introductions to every other part of the Mass. But shouldn’t the Mass shine for noble simplicity according to Vatican II? And if you explain every part of it every Sunday it means that it is not so simple (and for sure not so noble either). There is a joke about the homily that would not be out of place here after the way I started this article, it says that the homily should be like a miniskirt: short, adhering to reality and giving a glimpse to the mystery. So girls, even pretending you are not scammers, you will never conquer my heart even with a very long e-mail. And to our dear priests, please stop submerging us in the ocean of your words, and make space for the only Word that is really worth listening to.


BOTTEGA • Aurelio Porfiri is where you can discover
many of Mæstro Porfiri’s compositions in PDF format.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: St Francis of Assisi Last Updated: January 1, 2020

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“…I started down the road of the liturgy, and this became a continuous process of growth into a grand reality transcending all particular individuals and generations, a reality that became an occasion for me of ever-new amazement and discovery. The incredible reality of the Catholic liturgy has accompanied me through all phases of life, and so I shall have to speak of it time and again.”

— Joseph Cardinal Ratzinger

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