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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Confession 2.0

Aurelio Porfiri · July 16, 2014

[ Enter Confessional ]

“SO MY GOOD SON, when was your last confession?”

“Long ago, Father.”

“Okay, so tell me what good things you have done?”

“Sorry father, I don’t understand…”

“I mean, what are the good actions you have done??”

.    .    .   

OUND STRANGE? This is the reverse of what we always think about confession. It is positive psychology applied to sinning souls. Now, I’ll be the first to recognize that positive reinforcement can be a good way to encourage people to do good. But the Catholic idea of confession departs to a very different point of view. This point of view, at the root of the Faith, is that we are sinners because of Original Sin and we need to confess our sins to obtain forgiveness.

Seriously, why do we always have to pretend we are good? We try, many times, but the weakness of our nature is there. Must we pretend we are like angels? (I have not met any in my lifetime.) Applying this attitude to confession, would be like going to a doctor and getting welcomed like this: “So, tell me how well your liver has been working in the past month? I know you have a wonderful stomach!” (when it is all true, but on the other hand you are displaying symptoms of a heart attack that he is ignoring.) Please, give us the freedom to be sinners!

There are others that are more interested in your sins as a citizen: “Have you paid taxes? Are you going to vote? Did you respect street signals?” Not voting is a sin? Yes! Maybe. Okay, maybe I’m wrong. But while I’m here I want also to propose some new sins that we should confess in this new time of technological progress. I think it is a big sin when you are chatting on Facebook and someone shows you the sign for OKAY (the famous finger that the developers of Facebook introduced not long ago) even if you are telling them you are going to die during the night.

Other sins are from the people of Google: have you ever tried a Google search of your name and found that for some mysterious reason your name is also featured in unmentionable websites, making you afraid that you may have done something wrong without having memory of it? Last, but not least: what do you think of those people putting “lol” everywhere: “Yes, I am going to raise your salary, lol”; “Of course, your nodule is benign lol”; “You know I will never betray you, lol.” How many Hail Marys would this kind of sin deserve?


BOTTEGA • Aurelio Porfiri is where you can discover
many of Mæstro Porfiri’s compositions in PDF format.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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President’s Corner

    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski
    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“The chapter decides to penalize singers or instrumentalists who are tardy by a few minutes at the same rate as if they had been absent the whole hour.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (2 June 1563 )

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  • Simplified Accompaniment (Epiphany Hymn)
  • “Adeste Fideles” • Too Many Translations!

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