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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Name To Remember

Aurelio Porfiri · July 1, 2014

IFE IS NOT EASY. We say this so often that it becomes a platitude. Sometimes we hate to be alive because we cannot face the many problems and situations happening to us. But there are also things that makes us love our life. One thing for sure, is when we meet great people.

I have to say I was blessed in this regard. I have come in contact with some incredible people in my life. One of them, I may say with all certainty, was Divo Barsotti. This year we are celebrating 100 years since his birth (1914-2006). Who was Divo Barsotti? If you don’t know who he is, it will be like exploring a continent for the first time.

He was a priest and a writer of hundreds of books, but most of all, he was a mystic. An extraordinary man. How did I come to know him? I never met him in person because at the time he was already very sick. I came into contact with him through one of his assistants when I was asked to write a review of one of his books. He sent me some autographed copies of his books (on my request) and his assistant assured me of the interest Father Barsotti had for my work on him. From that time on I became very interested in his work and read his books one after the other. I have written two books on the studies of this great man: Abisso di Luce (Divo Barsotti and Liturgy) and Educare alla Vera Realta (Divo Barsotti and Education). These two books are intended to be part of a trilogy I want to dedicate to him. I hope to have the strength and time to achieve this.

His insights on liturgy were also extraordinary, of which I will offer two for reflection:

“The word has to create something because the word of God is creating word: the word of man has to obtain something, because the word of man is plea; and what the man obtains, and what God creates is the Sacrifice, act of supreme love, total answer to the love divine: Jesus sacrifice” (La Messa, pg. 65, my translation).

And:

“It is laughable to think that Christianity was exchanged for an Institute that protects the established order. Christian goes to God looking at Him and not seeing than Him” (La Fuga Immobile, Pg. 62, my translation).

Divo Barsotti is almost unknown in the Anglo-Saxon world and it is really a pity. He was one of the giants of Christianity of our times.


BOTTEGA • Aurelio Porfiri is where you can discover
many of Mæstro Porfiri’s compositions in PDF format.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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President’s Corner

    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“Gerard Manley Hopkins once argued that most people drank more liquids than they really needed and bet that he could go without drinking for a week. He persisted until his tongue was black and he collapsed at drill.”

— A biography of Fr. Gerard M. Hopkins (d. 1889)

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