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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sacred Choral Works CDs Available

Dr. Peter Kwasniewski · May 8, 2014

0319_Kwas_SCW-LG AM VERY PLEASED to announce to readers of Views from the Choir Loft that the CDs announced at the launch of my Sacred Choral Works are now available here, at the composer page (scroll down to the bottom). These 3 full-length compact discs feature recordings of nearly every score in the 273-page book.

Recently, David Warren published an interesting article called “Oh Had I Jubal’s Lyre,” in the course of which he says:

The theme of my life as a music listener has been, “getting behind the baroque,” to the recovery of what seems to me the chaste beauty of more ancient polyphony, and chant. Once one has truly heard this, one begins to realize that self-exalting man is vulgar; that he is trapped in the vulgar; that he cannot rise. We are surrounded today by deafening sonic walls of obnoxious popular music; music actually at war with the melodic and harmonious. …

Through the centuries, and even to the present day, the faith of the Church has been communicated by music, as much as by words; the very Word, through the Church, embodied in music. … The Mass in its nature is sung, chanted; and the innumerable musical settings of the Mass are intrinsic to its meaning, to its universality, to the dimensionality: it is not “just words.” …

I am convinced that the recovery of the musical traditions, within Holy Church, can do more to evangelize than any quarrelling with the world. For what we must do is not argue, but proclaim; and music in its nature does not argue. It proclaims.

I do love the Baroque, and I have my favorite Romantic composers as well (Bruckner, above all, comes to mind), but I tend to agree with Warren’s view that there is a special beauty to the original sources of sacred music, and a special fittingness for the liturgy. It is not surprising that the Popes frequently mention “chant and polyphony” in the same breath, and it is no less surprising that some of the most popular composers today have renewed their friendship with the Muses by immersing themselves in the idiom of medieval and even Renaissance music.

These are exactly my own sentiments as a cantor and composer; these are the guiding principles I have always followed, thanks to the grace of God who gave me good teachers, good books, and good music to listen to. And I hope that people who investigate my compositions will find them animated by the same spirit of holy fear, earnest pleading, and gracefulness.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

When the matter is thus regarded, an assertion which is being made today, not only by laymen but also at times by certain theologians and priests and spread about by them, ought to be rejected as an erroneous opinion: namely, that the offering of one Mass, at which a hundred priests assist with religious devotion, is the same as a hundred Masses celebrated by a hundred priests. That is not true.

— Pope Pius XII (2 November 1954)

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