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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

OF with an EF Priest

Andrew R. Motyka · April 30, 2014

PEND ENOUGH TIME in the online Catholic Tradosphere, and you come up with a very different reality than, well, reality. I suppose this is true of any specialized group of people online. The internet acts as a kind of centrifuge which separates people of differing opinions and groups like-minded people into their respective corners until we all just keep yelling into an echo chamber of increasing radicalism.

One trend I have noticed over the years is the observation that liturgical abuses, and bad liturgy in general, are thought to be the exclusive purview of the Ordinary Form. EF Mass-goers never have to put up with liturgical wackiness or even the general slog of an apathetic priest. Sometimes, I have heard some say that the elimination of the OF altogether would solve this problem, that liturgical abuses would evaporate (for the most part) if the Extraordinary Form was mandatory.

I am not here to argue the differences in content between the two forms. Heck, the first time I attended an EF liturgy, my first observation was how similar the two forms are. They concur far more than they differ. I am simply writing about ars celebrandi, the art of celebration, that definitely has a difference in the forms. Is this something inherent to each form? Perhaps, but I have another suspect in play, too.

None but the most historically ignorant thinks that the preconciliar liturgy was always beauty and Palestrina. The reality in almost every parish was a set of mumbled Low Masses, with one High Mass per Sunday, with Rossini Propers and the smallest congregation of the weekend (it’s the long one, after all). High Mass in 1959 isn’t really the same as High Mass at your average modern FSSP parish. Many priests made it a point to celebrate liturgy well, and many didn’t care as much and muttered their way through the Mass. While the form of the preconciliar liturgy doesn’t allow for as much abuse as the OF, neither can be protected from human weakness or apathy.

This snapshot is what we would find if the OF were abolished tomorrow. The reality is that some priests, just like the laity, don’t care about the liturgy very much, or have other designs as to its purpose. An all-EF Church would contain all of the same priests that the current one does, and the poor celebrants would come with it. The reality is that the EF community is self-selecting. It tends to attract priests and laity that already desire good liturgy, and so they get it. If the same communities celebrated the Ordinary Form, it would be very well done indeed.

As someone who grew up with the Ordinary Form, it is my preference. It is what I’ve always known and am most comfortable praying. However, I am grateful for whatever liturgy Holy Mother Church gives me, and I do not resent the EF in any way. Two forms, one liturgy. My greatest preference would be to celebrate the Ordinary Form with a priest who loves the Extraordinary. I believe this to truly be the “mutual enrichment” of which Pope Benedict spoke, and I hope that that enrichment carries into the future to the benefit of both forms.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Although the Mass contains much instruction for the faithful, it has nevertheless not seemed expedient to the fathers that it be celebrated everywhere in the vernacular. The holy synod commands pastors and everyone who has the care of souls to explain frequently during the celebration of the Masses, either themselves or through others, some of the things that are read in the Mass, and among other things to expound some mystery of this most Holy Sacrifice, especially on Sundays and feastdays.”

— ‘Council of Trent, XII:8 (1562)’

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  • Extreme Unction
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  • Which Mass?

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