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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

OF with an EF Priest

Andrew R. Motyka · April 30, 2014

PEND ENOUGH TIME in the online Catholic Tradosphere, and you come up with a very different reality than, well, reality. I suppose this is true of any specialized group of people online. The internet acts as a kind of centrifuge which separates people of differing opinions and groups like-minded people into their respective corners until we all just keep yelling into an echo chamber of increasing radicalism.

One trend I have noticed over the years is the observation that liturgical abuses, and bad liturgy in general, are thought to be the exclusive purview of the Ordinary Form. EF Mass-goers never have to put up with liturgical wackiness or even the general slog of an apathetic priest. Sometimes, I have heard some say that the elimination of the OF altogether would solve this problem, that liturgical abuses would evaporate (for the most part) if the Extraordinary Form was mandatory.

I am not here to argue the differences in content between the two forms. Heck, the first time I attended an EF liturgy, my first observation was how similar the two forms are. They concur far more than they differ. I am simply writing about ars celebrandi, the art of celebration, that definitely has a difference in the forms. Is this something inherent to each form? Perhaps, but I have another suspect in play, too.

None but the most historically ignorant thinks that the preconciliar liturgy was always beauty and Palestrina. The reality in almost every parish was a set of mumbled Low Masses, with one High Mass per Sunday, with Rossini Propers and the smallest congregation of the weekend (it’s the long one, after all). High Mass in 1959 isn’t really the same as High Mass at your average modern FSSP parish. Many priests made it a point to celebrate liturgy well, and many didn’t care as much and muttered their way through the Mass. While the form of the preconciliar liturgy doesn’t allow for as much abuse as the OF, neither can be protected from human weakness or apathy.

This snapshot is what we would find if the OF were abolished tomorrow. The reality is that some priests, just like the laity, don’t care about the liturgy very much, or have other designs as to its purpose. An all-EF Church would contain all of the same priests that the current one does, and the poor celebrants would come with it. The reality is that the EF community is self-selecting. It tends to attract priests and laity that already desire good liturgy, and so they get it. If the same communities celebrated the Ordinary Form, it would be very well done indeed.

As someone who grew up with the Ordinary Form, it is my preference. It is what I’ve always known and am most comfortable praying. However, I am grateful for whatever liturgy Holy Mother Church gives me, and I do not resent the EF in any way. Two forms, one liturgy. My greatest preference would be to celebrate the Ordinary Form with a priest who loves the Extraordinary. I believe this to truly be the “mutual enrichment” of which Pope Benedict spoke, and I hope that that enrichment carries into the future to the benefit of both forms.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“If you begin by telling a man that in a word like ‘Deus’ the first syllable corresponds to the weak beat, the second to the strong beat of a modern bar, the one thing that will succeed in accomplishing is to bewilder him thoroughly.”

— Father Heinrich Bewerunge writing to Dame Laurentia

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