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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Christ, the Wounded Healer

Richard J. Clark · April 18, 2014

THOUGHT IT STRANGE when looking at my bookcase. Grouped together are some of my favorite and essential books: the Graduale Romanum, Campion Missal, Lumen Christi Missal, and The Musical Shape of the Liturgy. But somehow, wedged right in the middle, as if to say, “Pay attention to me!” was Henri Nouwen’s 1972 classic, The Wounded Healer – Ministry in Contemporary Society. How did it get there?

Nouwen’s book recounts a story from the Talmud, summarizing:

“The Messiah, the story tells us, is sitting among the poor, binding his wounds, one at a time, waiting for the moment when he will be needed. So too it is with the minister…he is called to be the wounded healer, the one who must look after his own wounds but at the same time be prepared to heal the wounds of others.

”Jesus has given this story a new fullness by making his own broken body the way to health, to liberation and new life. Thus like Jesus, he who proclaims liberation is called not only to care for his own wounds and the wounds of others, but also to make his wounds into a major source of his healing power.” (The Wounded Healer, pg. 84, Doubleday and Co.)

So, the general premise of Nouwen’s books is that through our wounds, through our brokenness and perhaps even human imperfection, we are capable of helping others heal. We must be mindful of this through our work in the Church, and as musicians, through liturgy.

ROFESSIONALLY, MANY CHURCH MUSICIANS face challenges which may include some “war stories.” But with the frailty of human life sadly on display all around us, these are nothing in comparison. There is much needed perspective on what is true suffering and what are the common travails of a life of service. But in a profession in which it is difficult—indeed often impossible—to separate our spiritual, personal, and professional lives, our personal wounds must be cared for so that we may be ready to serve when called upon. To take it a step further, it is often because of our wounds that we can better serve others, provided that we have learned from them.

Distance helps heal wounds. But so does forgiveness. When distance is not possible, forgiveness many times every day is necessary. Then what you have suffered leads to wisdom, perspective, and understanding, providing a rock upon which others may lean. While joy and suffering are natural parts of human existence, challenge and pain is necessary for growth. Adversity builds strength. As such, suffering may come as a seemingly strange, yet potent blessing.

From suffering flowers great beauty. Therefore, as servants of the liturgy, we have an obligation to foster beauty and prayer. Our work will always find ways to humble us, as it should. In this humility, we can also find the healing prayer that our brothers and sisters need.

In Jesus, the Unblemished Lamb, we find the ultimate sacrifice. In Him we find our healer and Savior. May our work in sacred music lead people to Christ, the Great Healer who bore for us His wounds.

Yet it was our infirmities that he bore,

our sufferings that he endured,

while we thought of him as stricken,

as one smitten by God and afflicted.

But he was pierced for our offenses,

crushed for our sins;

upon him was the chastisement that makes us whole,

by his stripes we were healed.

— Isaiah 53: 4-5
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Is the USCCB trolling us?
    I realize I’m going to come across as a “Negative Nancy” … but I can’t help myself. This kind of stuff is beyond ridiculous. There are already way too many options in the MISSALE RECENS. Adding more will simply confuse the faithful even more. We seriously need to band together and start creating a “REFORM OF THE REFORM” Missale Romanum so it will be ready when the time comes.
    —Jeff Ostrowski
    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

«In the same quarter where he was crucified there was a garden.» (John 19:41) — The word “garden” hinted at Eden and the fall of man, as it also suggested through its flowers in the springtime the Resurrection from the dead.

— Fulton J. Sheen

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