Views from the Choir Loft

Mass of the Angels | Congregational Mass Setting in English

Richard J. Clark · April 11, 2014

ASS OF THE ANGELS is based on the popular and familiar Missa VIII (De angelis), which was the standard chant Mass sung in many parishes immediately prior to Vatican II. It includes Gospel acclamations and the Credo using the familiar incipit from Credo III. It is set for cantor, congregation and optional SATB choir. This setting may also be sung in unison with cantor or schola.

• It is available exclusively through CanticaNOVA Publications.
• For ordering details click here.
• PDF samples are available here.
• See below for YouTube recordings.

Adam Wood calls it “one of the best congregational settings of the new texts.” Furthermore, the mass was influenced by Theodore Marier and Richard Proulx in two areas:

• I wanted to adapt these beautiful chant melodies in an accessible manner and to be mostly in English.

• That the piece could translate well liturgically, whether in the grand setting of a choir of forty with a fifty rank organ of French Romantic design in a European acoustic OR with the austerity of an eight rank organ and a single voice or unison schola

Here are some sample recordings by the St. Cecilia Choir, Boston with the 1999 Smith & Gilbert Organ.

      YouTube:  Penitential Act C | Kyrie
      YouTube:  Gloria (Refrain version)
      YouTube:  Gloria (Through-composed/cantor version)
      YouTube:  Gospel Acclamations (Alleluia and Lenten options)
      Credo (response in Latin)
      YouTube:  Sanctus
      Mystery of Faith A, B, C
      Amen
      YouTube:  Agnus Dei

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

Music List • (4th Sunday of Lent)

Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.

—Jeff Ostrowski

PDF Download • Communion (4th Snd. Lent)

The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.

—Jeff Ostrowski

Good Friday Flowers

Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.

—Jeff Ostrowski

“Dies Irae” • A Monstrous Translation

It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”

—Jeff Ostrowski

PDF Download • “Holy, Holy, Holy”

For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.

—Jeff Ostrowski

Grotesque Pairing • “Passion Chorale”

One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.

—Jeff Ostrowski