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Views from the Choir Loft

The Greatest in the Kingdom

Richard J. Clark · March 14, 2014

MY BEAUTIFUL WIFE and I were blessed with a new arrival in the family this past week with our son, Sean Paul. His older siblings have been waiting to meet him with great anticipation. Watching their pure joy over having a little brother is like a foretaste of heaven for me. I’m not sure I deserve such blessings in life, but it is appropriate that I give great thanks to God every moment I breathe.

I am mindful of this because many struggle raising children through chronic illness, disability, or other challenges. Others have suffered unimaginable loss of an innocent child through illness or tragedy. Having family and close friends who know such suffering first hand, I am humbled by the awesome power of God and his gift of redemption through suffering. As such, children grant us enormous perspective in life. They remind us constantly of not only what is important, but who is most important — namely, God and family. Children return us to our core.

Y CHILDREN HAVE ALSO BEEN a great source of musical inspiration. They each have their own special songs that I sing to them at bedtime every night. Some have been adapted into liturgical or concert works. All are different in approach, reflecting their uniqueness.

For Sean Paul, I have recently completed a new mass setting dedicated to him. Look for this new mass setting to be released on Sunday, April 27th! It is chant inspired in style composed for SATB Choir and Organ using the 2010 Translation of the Roman Missal, Third Edition.

FOR OUR FIRST CHILD, our daughter, I composed a hymn based on the story found in both Matthew’s and Luke’s Gospel about the disciples arguing over who would be the greatest in the Kingdom of Heaven. Jesus then shows them a little child:

Matthew 18: 1-5: At that time the disciples came to Jesus, saying, “Who is the greatest in the kingdom of heaven?” And calling to him a child, he put him in the midst of them and said, “Truly, I say to you, unless you turn and become like children, you will never enter the kingdom of heaven. Whoever humbles himself like this child is the greatest in the kingdom of heaven. Whoever receives one such child in my name receives me.”

• Here is the choral score and live recording (2007) performed by Youth Pro Musica and the St. Cecilia Choir, Boston, with Peter Krasinski, organ.

FOR MY OLDEST SON, I composed a piece featuring my wife on clarinet. This is a live recording of the premiere at St. Paul Church in Cambridge, Massachusetts, home of Saint Paul’s Choir School Harvard Square.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

A priest celebrating the Mass “ad orientem” is no more turning his back on the people than a teacher leading her students in the “Pledge of Allegiance” is slighting them by turning her back on them and facing the flag with them.

— Archbishop Salvatore Cordileone (6 April 2025)

Recent Posts

  • Urgent! • We Desperately Need Funds!
  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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