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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Musing Over Mass at MIT

Gwyneth Holston · February 17, 2014

GWYN_Calculus

Calculus: Useful for finding the values of coefficients in the equation of a plane that is defined by two non-parallel vectors within it, but useless in determining the aesthetic value of that plane in the first place.


GWYN_figure 2 Star Trek Transporter N FEBRUARY 9, 2014 the Massachusetts Institute of Technology chapel was home to its first Latin Mass in over fifty years. It was a surreal experience. The chapel was built in 1955 and designed by Eero Saarinen. It is essentially a windowless brick cylinder illuminated by an oculus above a metallic tapestry in the sanctuary area. As you can see from the pictures, the sanctuary is reminiscent of the Transporter on the Starship Enterprise.

GWYN_figure 1 MIT chapel Sanctuary The very ugliness of the building made me ache with sadness for the poor engineering students who spend their days in grey classrooms and dismal labs. It is a milieu that considers aesthetics nice but superfluous and certainly inferior to “useful” research and design.

The positive result of having mass in such a depressing space is that every detail of the mass exuded a soothing beauty. Candles, vestments, and incense are used because of the power of their symbolic value, not because they are the most efficient materials for lighting, clothing, and perfuming.

GWYN_MIT mass Juventutem Boston 1 did a spectacular job in coordinating the Solemn High Mass. Fr. John Cassani was the celebrant and Fr. Kwang Lee gave the homily. Around 150 people crammed into the tiny chapel and knelt on the hard floor. Most of the attendees were college-age and joyfully joined in singing the Mass of the Angels and the recessional hymn, “Faith of Our Fathers.”



NOTES FROM THIS ARTICLE:

1   N.B. Juventutem Boston is organizing three more Traditional Latin masses at St. Paul’s church in Cambridge on February 23th, March 25th, and April 27th. For more information, visit their website (juventutemboston.com) or their facebook page.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Extraordinary Form 1962 Missal, Traditional Latin Mass Tridentine Rite Last Updated: January 1, 2020

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About Gwyneth Holston

Gwyneth Holston is a sacred artist who works to provide and promote good quality Catholic art. Her website is gwynethholston.com. Read more.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

We cannot exaggerate our indebtedness to Dr. Julian’s “Dictionary of Hymnology,” a monumental work, without which we could not have reached the high standard of accuracy, as to both texts and authorship, which we set before us when entering upon our labours.

— Committee for “New English Hymnal” (1906)

Recent Posts

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  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (2nd Sunday of Lent)

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