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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Musing Over Mass at MIT

Gwyneth Holston · February 17, 2014

GWYN_Calculus

Calculus: Useful for finding the values of coefficients in the equation of a plane that is defined by two non-parallel vectors within it, but useless in determining the aesthetic value of that plane in the first place.


GWYN_figure 2 Star Trek Transporter N FEBRUARY 9, 2014 the Massachusetts Institute of Technology chapel was home to its first Latin Mass in over fifty years. It was a surreal experience. The chapel was built in 1955 and designed by Eero Saarinen. It is essentially a windowless brick cylinder illuminated by an oculus above a metallic tapestry in the sanctuary area. As you can see from the pictures, the sanctuary is reminiscent of the Transporter on the Starship Enterprise.

GWYN_figure 1 MIT chapel Sanctuary The very ugliness of the building made me ache with sadness for the poor engineering students who spend their days in grey classrooms and dismal labs. It is a milieu that considers aesthetics nice but superfluous and certainly inferior to “useful” research and design.

The positive result of having mass in such a depressing space is that every detail of the mass exuded a soothing beauty. Candles, vestments, and incense are used because of the power of their symbolic value, not because they are the most efficient materials for lighting, clothing, and perfuming.

GWYN_MIT mass Juventutem Boston 1 did a spectacular job in coordinating the Solemn High Mass. Fr. John Cassani was the celebrant and Fr. Kwang Lee gave the homily. Around 150 people crammed into the tiny chapel and knelt on the hard floor. Most of the attendees were college-age and joyfully joined in singing the Mass of the Angels and the recessional hymn, “Faith of Our Fathers.”



NOTES FROM THIS ARTICLE:

1   N.B. Juventutem Boston is organizing three more Traditional Latin masses at St. Paul’s church in Cambridge on February 23th, March 25th, and April 27th. For more information, visit their website (juventutemboston.com) or their facebook page.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Extraordinary Form 1962 Missal, Traditional Latin Mass Tridentine Rite Last Updated: January 1, 2020

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About Gwyneth Holston

Gwyneth Holston is a sacred artist who works to provide and promote good quality Catholic art. Her website is gwynethholston.com. Read more.

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President’s Corner

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    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
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    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
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Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
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    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“I am now old but I was young when I was received into the Church. I was not at all attracted by the splendour of her great ceremonies—which the Protestants could well counterfeit. Of the extraneous attractions of the Church which most drew me was the spectacle of the priest and his server at Low Mass, stumping up to the altar without a glance to discover how many or how few he had in his congregation; a craftsman and his apprentice; a man with a job which he alone was qualified to do.”

— Evelyn Waugh (7 August 1964)

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