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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

How To Hyphenate Latin Words (Break into different syllables)

Jeff Ostrowski · February 13, 2014

“Where the best authorities differ so widely it would be absurd to pretend to offer a final solution.” — Fr. Adrian Fortescue (The Mass, 1912)


984 Puer Natus Est CLICK TO ENLARGE N THE ORDINARY FORM, there are Spoken Propers (for Masses without music) and Sung Propers. Sometimes they’re identical, sometimes not, and the same holds true for Latin hyphenation. There is “spoken” hyphenation (a.k.a. “written”) and “sung” hyphenation … and they’re not always the same.

Professor John F. Collins gives basic rules of syllabification in his Primer of Ecclesiastical Latin (CUA), but these are intended for “written” Latin. Even there, leeway exists, because ancient manuscripts divide words depending on spacing issues. Of course, going back even further, the words were all written together without any spaces!

For the Edmund Campion project (website), we spent hours studying hyphenation issues. I share some of our findings below. Fr. Xavier Lasance (†1946) is not always consistent. For instance, he sometimes writes FRU—CTÍFERA but in other places writes FRUC—TÍFERA. The following document explains what a “true error” is:

* *  Notes about the Translations for the Campion Missal

LET US CONSIDER the Latin word omni. Latin grammarians say it should be broken as OM – NI. However, Pustet’s 1888 Breviary breaks it surprisingly as O — MNI   And in 99% the Solesmes books, it is divided as O – MNI for “sung” Latin. Any time Solesmes has “OMN” they divide it this way, e.g. O – MNIS. Perhaps they do this to help singers pronounce it correctly. It doesn’t appear to be a “French thing” since the 1953 German Graduale follows suit, e.g. O – MNI – BUS. However, for “written” Latin, the Solesmes Liber Usualis uses OM – NES.

Moving on, let’s consider how words like “SANCTE” are broken:

Official 1962 Missale Romanum:   SAN – CTE   •   SANC – TAM

Fr. Xavier Lasance:   SANC – TA

1975 Missale Romanum of Paul VI:   SANC – TAM

Solesmes Liber Usualis:   SAN – CTUÁRIUM   •   SAN – CTUM   •   SAN – CTO

Pothier’s Liber Gradualis (1884):   SAN – CTUS

You can see that each publisher follows his own policy. The most important thing is to be consistent. (You’ll notice the official 1962 Missal is not.) It would be fascinating to go through all the old books at the St. Jean de Lalande Library and see what different publishers did over the years. Feel free to add hyphenations from books you own in the combox. Here are some notable ones I found:

Fr. Lasance:   COG – NÓSCO   •   Solesmes:   CO – GNOVÍSTI   02   •   03 • 04

Solesmes 1942 Breviary: dixerámus = DI — XERAMUS instead of DIX — ERAMUS

Díxero and Dixérunt:   DI — XERO   not   Díx — ERO

Likewise:   DI — XERUNT   instead of   DIX — ERUNT :

Yet look at this:   “dixísti” is   DI — XISTI   whereas “Exeúnte” is   EX — EUNTE

Fr. Lasance:   FAC – TUM

Fr. Lasance:   SUS – CÉPTOR

Fr. Lasance:   PROP – TER

Fr. Lasance:   ACCÉP – TAM

Solesmes 1903 Manuale:   ACCÉ – PTA

Fr. Lasance:   CHRIS – TUS

Solesmes books:   EXSPÉ – CTANT

Most “sung” versions by the monks of Solesmes have OMNÍ – POT – ENS, yet the 1903 Solesmes Manuale has OMNÍPO – TENS

But others do not agree with Solesmes and write OMNI – PO – TENS

Similarly, the word potéstas is broken as POT – E – STAS not PO – TESTAS …… because they like to preserve TO BE (“estis”)

But for some reason, potéstas—normally broken as POT-E-STAS — in 1957 Solesmes does PO-TE-STAS which is remarkably inconsistent

Solesmes = “Excidístis” is broken as  EXCIDI — STIS instead of Excidis — tis

Most written versions prefer NOS-TRIS, yet the Solesmes 1903 Manuale has NO – STRUM

Solesmes:   ÉT – I – AM

Vatican Press:   DI – GNERIS   &   BAPTÍ – SMI

ABUNDANS = ab—UN—dans not   a—BUN-dans

Here are some more examples commonly found in “sung” Latin (as opposed to “written” Latin):

RED – EM – PTOR — not re-dem-ptor
O – MNES — not om-nes
Ó – MNI – A — not om-nia
SOL – E – MNI – TATEM — not so- LEM – nitatem solemnitatem
SIC – UT — not si-cut
NO – STRIS — not nos-tris
NO – STER — not nos-ter
NO – STRÓRUM — not NOS – trórum

806 Nostri

PRO – PTER — not prop-ter
A – GNO — not ag-no
SAN – CTO — not sanc-to
Ó – PTI – ME — not óp-time
PENTECÓ – STES — not Pentecos-tes
SE – CUS — not sec-us
Á – SPERO — not ás – pe – ro
DILE — XISTI not “dilex — isti” … same for words like abstraxísti, which would be abstra­ — xísti
EX – ÉR – CITUS — not e-xercitus
VE – XIL – LA — not vex-il-la
RESPE – XIT — not respex-it (but one book has “e-xultavit”)
DI – XIT — not dix-it
OB – UMBRÁBIT — not o – bumbrabit
RED – EM – PTIÓNEM — not Re-demp-ti-onem
RED – ÉMIT — not re-demit
yet Solesmes has RE – DEMIT and RE – DEMIT
AD – ORÉMUS — a-doremus
PROTE – CTÓ – REM — not protec-to-rem
RE – CTAE — not rec-tae
RED-IMENDUM not Re-Di-Men-Dum
NO – CTÚR – NO — not noc-túr-no
TE – STA – MÉNTUM — not tes-ta-mentum
IN – I – QUITÁTES — not i-niquitates but Solesmes & NOH like I – NI – micítias
SE – PTE – NÁRIUM — not sep-tenárium
POT – ENTÁTUI — not po-tentatui
CONSPÉ – CTU — not conspec-tu
SO – MNUM — not som – num
DI – GNISSIMA — not dig-nissima
CO – GNOVI — (but written is usually cog-novi)
GÉ – NITRIX — not Gen-i-trix
I – PSÍ – US — not ip-sius
SEMET – Í – PSUM — not seme-tip-sum
Í – PSE — not íp – se
But … semetipso has IP — SO   not   I — PSO
CAE – LE – STIS — not caeles-tis
SUS – CIPE — not su-scipe — see also Suscepísti
TEM – PLO — not temp-lo
VEL – UT — not ve-lut
E – STO — not es-to
E – RIT — not er-it
PA – TER — not Pat-er
PRO – PTÉ – REA — not prop-terea
BENEDÍ – XIT — not benedix-it
MANSU – E – TÚDINEM — not mansu-et-udinem
DEX – TERA — not de-xtera
PERMAN – SÍ – STI — not perman-sis-ti
NO – VÍS – SIME — not nov-issime
DI – É – BUS — not di-eb-us
FE – LIX — not fel-ix
BASILI – SCUM — not ba – si – lis – cum ??
CRUCIFÍ – XUS — not crucifix-us
EX – ÉR – CITUS — not e-xer-citus
SCRI – BÉN – TIS — not scribe-ntis
JU – STUM — not jus-tum
ERU – CTÁVIT — (but written is usually eruc-tavit)
RE – GNUM — (but written is usually reg-num)
ACCÉ – PTAM — (but written is usually accep-tam)
MINI – STRÓ – RUM — not minis-trorum

As you can see, sometimes numerous ways of syllabification are acceptable in Latin.

Finally, watch out for “compound” word that have actual Latin words in them, like:

IN – I – MI – CUS — not i-ni-micus

and PER – I – BUNT — not pe-ri-bunt

190 inimicus

Yet we saw how “noster” was treated …


By the way, look how “victoriam” is treated:

165 victoriam

Why do they do I – nimícis but at the same time IN – íquo :

804 eripe

NA – SCE –TUR   not   NAS – CE – TUR ——— and RE – GNUM   not   REG – NUM :

805 Hyphenate

HO- SPES   not   HOS – PES

770 hyphen

SOLESMES MONASTERY is inconsistent, when you look at the word ENUTRIET :

634 enutriet 1955
635 enutriet 1926

OBLIVISCERIS is broken as obli – vi – scé -ris :

614 oblivisceri

SUSCIPE is done SUS – CI – PE not su – SCI – pe as shown by Solesmes 1957:

609 suscipe hyphenation
 

541 castos
 

474 Latin Hyphenation
 

This one has many remarkable hyphenations for Latin words:

460 Hyphen Latin
 

How would you break “obliviscáris” ?

(1) O – BLI – VI – SCA – RIS ?   or:   (2) OB – LI – VI – SCA – RIS ?

The second one is the correct one. Ob is a preposition and therefore not separated. SC always goes together, e.g. in scientia, etc. Cf. Introit for Sexagesima Sunday in Liber: ob-li-vi-sce-ris.

 


Look how different folks treat “vespertinum” :

244 vespertinum
 

SUSCIPE:

371 suscipe
 

769 sustinebit hyphen
 

For Adorate it is “AD—O—RATE” not a—do—rate

85462 adorate
 

 

80969 sperabo

 

 

Transíbunt (“transibunt”) is done   TRANS—i   not   TRAN—SI

 

 

80757 trans

 

 

HYMNUS HYMNORUM hym-nus

DICTO = DI—CTO

but Omnipotenti = Omnipo—tenti instead of Omnipot—enti

Temetípsum + Déstruis   TEMET — IPSUM     DE — STRUIS

Strange hyphens in Dom Hugle SANCTI VENITE:

Adscriptam   =   Adscri — ptam         not Adscrip — tam

SEPTENARIUM   •   SE — PTE — NARIUM

Pustet: Dexteram — Pustet: Vesperam — Pustet: exiens — Redempti — Pustet: Casta

Words with “x” such as “dixit” and “confixére”

SEDIBUS = Sé — dibus   not Séd – ibus

RED – EMIT vs. RE – DEMIT redémit

OMNIA OM-NI-A vs. O-MNI-A

Saint Basil Hymnal (“sanc-to”):

Períret órbis (1932 Grenoble)

POTENS • Solesmes always does “Pot-ens”   and for “potentis” they do   pot-entis

But others prefer (for potens) to do   “Po-tens”

The EDITIO VATICANA does “Po-tens”

And so does Schwann:

If you look at the Introit for the Epiphany you’ll see that Solesmes does “pot — éstas” whereas Schwann does “po — téstas” as you can see:

Preface to the EDITIO VATICANA

One would think “pródiit” would be “pro di it” but it’s actually “pród—i—it”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: How to hyphenate Latin syllables, Latin Last Updated: April 3, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Comparison Chart • “Serious Problems with the Lectionary Translation”
    EARS BEFORE truly revolutionary changes were introduced by the post-conciliar reformers, Evelyn Waugh wrote (on 16 August 1964) to John Cardinal Heenan: “I think that a vociferous minority has imposed itself on the hierarchy and made them believe that a popular demand existed where there was in fact not even a preference.” We ask the kind reader— indeed, we beg you—to realize that those of us born in the 1940s and 1950s had no cognizance of Roman activities during the 1960s and 1970s. We were concerned with making sure we had the day’s bus fare, graduating from high school, taking care of our siblings, learning a trade, getting a job, courting a spouse. We questioned neither the nuns nor the Church.1 Do not believe for one instant any of us were following the liturgical machinations of Cardinal Lercaro or Father Bugnini in real time. Setting The Stage • To never question or resist Church authorities is praiseworthy. On the other hand, when a scandalous situation persists for decades, it must be brought into focus. Our series will do precisely that as we discuss the Lectionary Scandal from a variety of angles. We don’t do this to attack the Catholic Church. Our goal is bringing to light what’s been going on, so it can be fixed once and for all. Our subject is extremely knotty and difficult to navigate. Its complexity helps explain why the situation has persisted for such a long time.2 But if we immediately get “into the weeds” we’ll lose our audience. Therefore, it seems better to jump right in. So today, we’ll explore the legality of selling these texts. A Word On Copyright • Suppose Susie modifies a paragraph by Edgar Allan Poe. That doesn’t mean ipso facto she can assert copyright on it. If Susie takes a picture of a Corvette and uses Photoshop to color the tires blue, that doesn’t mean she henceforth “owns” all Corvettes in America. But when it comes to Responsorial Psalm translations, certain parties have been asserting copyright over them, selling them for a profit, and bullying publishers vis-à-vis hymnals and missals. Increasingly, Catholics are asking whether these translations are truly under copyright—because they are identical (or substantially identical) to other translations.3 Example After Example • Our series will provide copious examples supporting our claims. Sometimes we’ll rely on the readership for assistance, because—as we’ve stressed—our subject’s history couldn’t be more convoluted. There are countless manuscripts (in Greek, Hebrew, and Latin) we don’t have access to, so it would be foolish for us to claim that our observations are somehow the ‘final word’ on anything. Nevertheless, we demand accountability. Catholics in the pews are the ones who paid for all this. We demand to know who specifically made these decisions (which impact every English-speaking Catholic) and why specifically certain decisions were made. The Responsorial Psalms used in America are—broadly speaking—stolen from the hard work of others. In particular, they borrowed heavily from Father Cuthbert Lattey’s 1939 PSALTER TRANSLATION:
    *  PDF Download • COMPARISON CHART —We thank the CCW staff for technical assistance with this graph.
    Analysis • Although certain parties have been selling (!!!) that translation for decades, the chart demonstrates it’s not a candidate for copyright since it “borrows” or “steals” or “rearranges” so much material from other translations, especially the 1939 translation by Father Cuthbert Lattey. What this means in layman’s terms is that individuals have been selling a translation under false pretenses, a translation they don’t own (although they claim to). To make RESTITUTION, all that money will have to be returned. A few years ago, the head of ICEL gave a public speech in which he said they give some of “their” profits to the poor. While almsgiving is a good thing, it cannot justify theft. Our Constant Theme • Our series will be held together by one thread, which will be repeated constantly: “Who was responsible?” Since 1970, the conduct of those who made a profit by selling these sacred texts has been repugnant. Favoritism was shown toward certain entities—and we will document that with written proof. It is absolutely essential going forward that the faithful be told who is making these decisions. Moreover, vague justifications can no longer be accepted. If we’re told they are “making the translations better,” we must demand to know what specifically they’re doing and what specific criteria they’re following. Stay Tuned • If you’re wondering whether we’ll address the forthcoming (allegedly) Lectionary and the so-called ABBEY PSALMS AND CANTICLES, have no fear. We’ll have much to say about both. Please stay tuned. We believe this will end up being the longest series of articles ever submitted to Corpus Christi Watershed. To be continued. ROBERT O’NEILL Former associate of Monsignor Francis “Frank” P. Schmitt at Boys Town in Nebraska JAMES ARNOLD Formerly associated w/ King’s College, Cambridge A convert to the Catholic Church, and distant relative of J. H. Arnold MARIA B. Currently serves as a musician in the Roman Catholic Diocese of Charlotte. Those aware of the situation in her diocese won’t be surprised she chose to withhold her last name.
    1 Even if we’d been able to obtain Roman journals such as NOTITIAE, none of them contained English translations. But such an idea would never have occurred to a high school student or a college student growing up in the 1960s. 2 A number of shell corporations claim to own the various biblical translations mandated for Roman Catholics. They’ve made millions of dollars selling (!) these indulgenced texts. If time permits, we hope to enumerate these various shell corporations and explain: which texts they claim to own; how much they bring in each year; who runs them; and so forth. It would also be good to explore the morality of selling these indulgenced texts for a profit. Furthermore, for the last fifty years these organizations have employed several tactics to manipulate and bully others. If time permits, we will expose those tactics (including written examples). Some of us—who have been working on this problem for three decades—have amassed written documentation we’ll be sharing that demonstrates behavior at best “shady” and at worst criminal. 3 Again, we are not yet examining the morality of selling (!) indulgenced texts to Catholics mandated to use those same translations.
    —Guest Author
    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Gregorian chant is the sacred chant, proper and principal of the Roman Church. Therefore, not only can it be used in all liturgical actions, but unless there are mitigating circumstances, it is preferable to use it instead of other kinds of sacred music.”

— §16, De Musica Sacra (1958)

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