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Views from the Choir Loft

Poverty, Self-Denial, and Peace – Part II

Dr. Peter Kwasniewski · February 6, 2014

St_Therese_375 HE CONTRAST between Buddhist “salvation” and Christian salvation―which means entering fully into the radiant, though to our eyes darksome, plenitude of love, gaining one’s identity in communion with the other―could not be more striking (see last week’s post for more). In his book Truth and Tolerance, Joseph Ratzinger dwells in a similar way on the contrast between the path of mystical “identification,” where the ego is lost in an ocean of impersonal “divinity,” and the path of personal communion where the self, through a process of abandonment and purification, becomes for the first time really and truly itself, precisely by surrendering to and being caught up in the Beloved. Here is where the Christian faith is unique: we find rest in a person, in a friendship founded on a love that knows no limits and lasts forever, if only we will cling to him in love. We can see this clearly in Matthew 11:28–29:

Come to me, all you who labor and are heavy laden,
and I will give you rest.
Take my yoke upon you, and learn from me;
for I am gentle and lowly of heart,
and you will find rest for your souls.

Our Lord says, first of all, not “Envision an ideal,” or “Go to the streets,” or “Enter into your psyche,” but “Come to ME”―this is where the laborer (and that means each one of us after the fall) must go. The laborer is heavy laden with the world. Christ wants to replace this burden with a “yoke” that is, paradoxically, the opposite of burdensome: a being yoked in friendship, a union of our restless hearts with his peaceful heart, burning with gentle love, so lowly that it welcomes even sinners. Without Jesus, whose power is made perfect in our weakness, we can do nothing at all, not one deed worthy of eternal life (cf. 2 Cor 12:9; Jn 15:5).

How different this teaching, at once consoling and challenging, is from the despairing self-portrait of modern man: self-sufficient and self-satisfied on the surface, but utterly lacking in true peace of soul, and utterly afraid of suffering and death. No, we somehow have to face, or rather, embrace, suffering and death―not because they are the final word, but because our Lord has made them the path to inner freedom and the gateway to eternal life. In the Canticle of the Sun St. Francis calls death “his sister.” Why? Because she puts an end to illusion and to sin. We must be ready for this end. The only way to be ready for it is to learn the art of dying to self.

A crucial part of peace-making (and, as I observed a couple of posts ago, a remote preparation for martyrdom) is to learn to do without, to learn to be poor in spirit as well as in bodily goods. In this way we try to strip ourselves of the self-will or wilfulness that leads to conflict, we strip ourselves of the goods that lead to one man’s being exalted over another in real or apparent power―for he who has much, has power to hoard it and use it irresponsibly, at the expense of others, indulging himself while others look on. Recall Our Lord’s parable of Dives and Lazarus (Lk 16:19–31).

How do we learn this most challenging and subtle art? In small ways. We cannot do everything all at once. We can only tackle one thing at a time. It will be a question, at first, of seemingly insignificant, unnoticed acts by which we thwart our own selfish desire in favor of loving and serving another, for God’s sake and for the other person’s sake. Each one of us can think, if we are honest, of a hundred small ways in which we might help out others, in spite of our habitual inclinations against undertaking this or that particular task―we might think of our mothers or fathers, our roommates, our friends, our sweethearts, our wives, our children, our coworkers, even and perhaps especially the people who dislike us or whom we dislike. The little dyings-to-self are the endurance training for the final supreme act of heroism: the acceptance of the death that divine Providence has appointed for us.

This article is part of a series:

Part 1   •   Part 2

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Don Fernando de las Infantas wrote to the Pope, trying to get him to stop Palestrina from corrupting all the plainsong editions: “The errors which certain musicians, in all good faith, think they have found in plainchant are not errors at all, but on the contrary contain some of the most beautiful musical passages ever written.”

— Don Fernando de las Infantas (1578 A.D.)

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

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