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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for February 2014

Guest Author · February 28, 2014

Why the Church Is Dying in Latin America

“We need to realize that beauty is essential to any true notion of progress and human development.”

Richard J. Clark · February 28, 2014

RCIA and the Importance of Holy Week Choir Rehearsals

He described a sense awe that overwhelmed him during the liturgy. His conclusion at the time was that he should no longer continue with RCIA. Was this a failure of the RCIA program? No, this was success!

Dr. Peter Kwasniewski · February 27, 2014

Beethoven’s “Missa Solemnis” and the Five Ways of St. Thomas

An imaginative or imaginary (you decide) correlation between the five movements of the greatest proto-Romantic sacred work and the five greatest proofs for the existence of God.

Gwyneth Holston · February 27, 2014

A Visual Chronical of Parish Life: Day 4

“A Sad Inheritance” by Joaquin Sorolla y Bastida

Gwyneth Holston · February 26, 2014

A Visual Chronicle of Parish Life: Day 3

“The Daughters of Charity” by Henriette Browne

Andrew R. Motyka · February 26, 2014

Setting an Example Through Funerals

Funerals can be a good time to demonstrate the possibilities of reverent liturgical music at Mass.

Gwyneth Holston · February 25, 2014

A Visual Chronicle of Parish Life: Day 2

“Choirboys” by Jose Gallegos y Arnosa

Jeff Ostrowski · February 24, 2014

Reform Of The Reform: A Perspective

“How much annoyance among our loyal Catholics could have been avoided if evidence had been provided that various elements had been taken from old sacramentaries and were not arbitrary innovations.” —Bishop of Regensburg (1979)

Gwyneth Holston · February 24, 2014

A Visual Chronicle of Parish Life: Day 1

A week of inspiring images to brighten your day.
Day 1: “The Baptism” by Joaquin Sorolla

Jeff Ostrowski · February 24, 2014

Is the Kyrie part of the Penitential Rite?

Many priests and liturgists omit the “Kyrie eleison” when the rubrics clearly forbid this.

Fr. David Friel · February 23, 2014

St. Therese on Beauty

The Divine Artist of souls is pleased when we do not stop at the exterior.

Veronica Brandt · February 22, 2014

Color by “Neum”ber

A Gregorian chant workbook for kids (there’s one for adults too).

Richard J. Clark · February 21, 2014

When in Crisis: Ideology and Diplomacy

In cases of constant crisis, diplomacy yields far more fruit than ideology. Demanding the ideal will usually get you nothing but a pink slip.

Dr. Peter Kwasniewski · February 20, 2014

Seeking Inspiration in the Renaissance

Just as those who are passionate about sacred music find great inspiration in the Renaissance, so today we can look around at a new rebirth of Catholic tradition and find hope for a renewal of Catholic culture.

Andrew R. Motyka · February 19, 2014

The Young and the Extremely Young

“Despite being baptized Catholic, attending Catholic schools, and attending Mass regularly, he never knew about the Church’s musical heritage until the last few years.”

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“In case of urgent danger of life anyone may baptize, even a heretic or pagan. It is sufficient that he administer the essential matter and form and have the implicit intention of doing what Christ instituted. Naturally a Catholic must be preferred, if possible. A man is preferred to a woman; but anyone else to the parents.”

— Father Adrian Fortescue (1917)

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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