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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Nature’s Solitary Boast

Fr. David Friel · December 9, 2013

HEN GOD CREATED Adam & Eve, He gave them a beautiful place to live and abundant food to eat. But things went wrong. Adam & Eve, tempted by the notion that they could become like God, ate the forbidden fruit.

Adam & Eve were later blessed with the gift of children. But things went wrong. In a fit of jealous rage, Cain killed his brother, Abel.

When Moses led the Israelites out of slavery in Egypt, the Lord made a covenant with His people and gave them the Ten Commandments to guide their way. But things went wrong. As soon as Moses came down from Mt. Sinai, he found the people drinking & carousing & worshipping golden calves they had fashioned as idols.

When the Israelites demanded a king, the Lord gave them David, the great warrior who had conquered Goliath & all the Philistines and received the promise of God’s abiding help. But things went wrong. In an effort to cover up his sin of adultery, David had Uriah, the wife of Bathsheba, murdered, and eventually the Kingdom of Israel was divided.

Centuries thereafter, a man named Jeremiah was called to be a prophet and to bring the chosen people back to the practice of their faith. But things went wrong. The people rejected, arrested, imprisoned, and disgraced Jeremiah, and their apostasy led to the fall of Jerusalem and their captivity at the hands of King Nebuchadnezzar and the Babylonians.

On went the centuries, and things never seemed to get into gear. Just when it seemed like God was making headway with His people, something always went wrong to pull the carpet out from under Him. Time after time, people rebelled against God’s will.

It was beginning to seem as though God were incapable of creating anything good. It seemed like He couldn’t create a person who would simply love Him with all their heart. It seemed like God’s whole experiment with creation might have been a mistake—even a failure.

And then He made Mary.

Whereas all the descendants of Adam & Eve had been held captive to the guilt of original sin, Mary was a different case. By an extraordinary act of God’s mercy, Mary was preserved from the very moment of her conception from any stain of that original sin. The Lord created her as the Immaculate Conception—utterly pure, totally clean, absolutely untainted.

With the creation of Mary and her perfectly pure spirit, there was all of a sudden a new glimmer of hope for humanity. My parish patron, Saint Anselm, wrote many beautiful things about the Mother of God. In today’s Office of Readings, one encounters this insight from one of his sermons:

Blessed Lady, sky and stars, earth and rivers, day and night—everything that is subject to the power or use of man—rejoice that, through you, they are in some sense restored to their lost beauty and are endowed with inexpressible new grace. . . . God, then, is the Father of the created world and Mary the Mother of the re-created world.

Regardless of all the failings of those who had gone before her (and all those who have gone after her), Mary’s humble surrender to the will of God has brought about a new dawn of hope for all mankind. All of the previous rejections of God and His Word and His prophets were redeemed by the gracious obedience of Mary, who said “Yes” to God and, by her very existence, proved that God could create creatures to love Him.

Because of Mary, God’s work of creation can never be accused of being a failure. Not only is God capable of creating us well, He has fashioned all of us to be “capable of Him.” In philosophy, we say that men and women are capax Dei—“capable of God.” When we look at the history of the Old Testament, the history of the Church, and the history of our own personal lives, we can easily become ashamed of the countless sins and rejections of God’s love that we see. But we are not defined by our sins; we are defined by the capacity we have for holiness.

Humanity first caught a glimpse of the tremendous capacity we have when God created Mary as the Immaculate Conception. O Mary, conceived without sin: pray for us who have recourse to thee!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Latin has been the language of the Latin liturgy for 1,600 years. It is a sign and source of unity as well as a defense of doctrine, not because of the language so much, but because it is a language no longer subject to changes. There are so many beautiful texts which can never have the same effectiveness in translation. Lastly, Latin is bound to an extremely precious heritage of melody, Gregorian chant and polyphony.”

— Cardinal Antonelli (Secretary of the Conciliar Commission on the Liturgy)

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