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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Good King Wenceslas Looked Out When?

Gwyneth Holston · December 23, 2013

GWYN_stephen Bernardo Cavallino, “Martyrdom of St. Stephen.” c. 1645. Oil on canvas, 70 cm x 90 cm.

HE FEAST DAYS following Christmas all recognize rather bloody saints. According to Dom Gueranger’s Liturgical Year, “The ones we see standing round the Crib of our Jesus are Martyrs: Stephen, overwhelmed with the shower of stones; John the Martyr in heart, who survived his fiery torture; the Holy Innocents, massacred by the sword; Thomas, murdered in his cathedral; these are the champions of Christ, who keep guard in the palace of Bethlehem.”

I never understood why so many martyrs were recognized during Christmastide until I read Dom Gueranger’s intriguing meditation. He writes, “Jesus, whilst still continuing to be the eternal God, assumed to himself the lowly raiment of flesh, and entered the battle-field of this world; Stephen, laying aside the perishable garment of the body, ascended to the palace of heaven, there to reign for ever.”

GWYN_stephen square Gueranger continues, “…Martyrdom is the creature’s testimony and return to his Creator for all the favours bestowed upon him: it is Man testifying, even by shedding his blood, to the truths which God has revealed to the world.”

Reading these words gave me new eyes to appreciate the painting of St. Stephen by Bernardo Cavallino. In Cavallino’s version, the things of this world are already fading into darkness for St. Stephen. His eyes no longer perceive his aggressors, instead they are directed heavenward. We cannot see what he sees, but his intensely scarlet dalmatic gives us an inkling of the heavenly raiment which he will soon don.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Gwyneth Holston

Gwyneth Holston is a sacred artist who works to provide and promote good quality Catholic art. Her website is gwynethholston.com. Read more.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Liberalism in religion is the doctrine that there is no positive truth in religion, but that one creed is as good as another… It teaches that all are to be tolerated, for all are matters of opinion. Revealed religion is not a truth, but a sentiment and a taste; not an objective fact, not miraculous; and it is the right of each individual to make it say just what strikes his fancy. […] Men may go to Protestant Churches and to Catholic, may get good from both and belong to neither.”

— Bl. John Henry Cardinal Newman (May of 1879)

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