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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Good King Wenceslas Looked Out When?

Gwyneth Holston · December 23, 2013

GWYN_stephen Bernardo Cavallino, “Martyrdom of St. Stephen.” c. 1645. Oil on canvas, 70 cm x 90 cm.

HE FEAST DAYS following Christmas all recognize rather bloody saints. According to Dom Gueranger’s Liturgical Year, “The ones we see standing round the Crib of our Jesus are Martyrs: Stephen, overwhelmed with the shower of stones; John the Martyr in heart, who survived his fiery torture; the Holy Innocents, massacred by the sword; Thomas, murdered in his cathedral; these are the champions of Christ, who keep guard in the palace of Bethlehem.”

I never understood why so many martyrs were recognized during Christmastide until I read Dom Gueranger’s intriguing meditation. He writes, “Jesus, whilst still continuing to be the eternal God, assumed to himself the lowly raiment of flesh, and entered the battle-field of this world; Stephen, laying aside the perishable garment of the body, ascended to the palace of heaven, there to reign for ever.”

GWYN_stephen square Gueranger continues, “…Martyrdom is the creature’s testimony and return to his Creator for all the favours bestowed upon him: it is Man testifying, even by shedding his blood, to the truths which God has revealed to the world.”

Reading these words gave me new eyes to appreciate the painting of St. Stephen by Bernardo Cavallino. In Cavallino’s version, the things of this world are already fading into darkness for St. Stephen. His eyes no longer perceive his aggressors, instead they are directed heavenward. We cannot see what he sees, but his intensely scarlet dalmatic gives us an inkling of the heavenly raiment which he will soon don.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Gwyneth Holston

Gwyneth Holston is a sacred artist who works to provide and promote good quality Catholic art. Her website is gwynethholston.com. Read more.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 22nd in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 31 August 2025, which is the 22nd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“To get people together once a week without an objective is deadly.”

— Dr. Roger Wagner (19 December 1960)

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