Views from the Choir Loft

Impatiently Awaiting the Publication of the English Translation of von Hildebrand’s Aesthetics

Gwyneth Holston · December 16, 2013

ccording to the Dietrich von Hildebrand Legacy Project website, volume I of Dietrich von Hildebrand’s writings on aesthetics was translated this year. How thrilling! I believe it will be a work of intense interest to Catholic artists and musicians.

For those of you who have not had the pleasure of discovering the writings of Dietrich von Hildebrand or his esteemed wife, Dr. Alice von Hildebrand, I encourage you to read his biography, Soul of a Lion. It is the story of the brilliant son of a famous sculptor and his growth from a childhood immersed in a pagan appreciation of beauty to an adulthood focused on the Christian notion of beauty. An outspoken idealist and philosopher, von Hildebrand was hunted by the Nazis during World War II until he escaped to America.

Dietrich von Hildebrand’s father was the sculptor Adolf von Hildebrand who wroteThe Problem of Form in Painting and Sculpture in 1907. It is a excellent treatise for artists on the depiction of three-dimensional space.

Each summer, the Dietrich von Hildebrand Legacy Project hosts a summer seminar to promote study of his writings and ideas. I went last summer and enjoyed the week immensely. It was astonishing to see how the writings of one man brought together professionals from such fields as philosophy, theology, education, and the arts.

Watch the video below to see the highlights from last year’s program:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Gwyneth Holston

Gwyneth Holston is a sacred artist who works to provide and promote good quality Catholic art. Her website is gwynethholston.com. Read more.

PDF Download • Introit (2nd Sn. Ord.)

This coming Sunday, 18 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.

—Jeff Ostrowski

Spectacular Communion Setting!

The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.

—Jeff Ostrowski

PDF • “Music List” (Sunday, 11 January)

Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.

—Jeff Ostrowski

“Reminder” — Month of January (2026)

On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.

—Jeff Ostrowski

PDF • “O Come All Ye Faithful” (Simplified)

I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.

—Jeff Ostrowski

PDF Download • “In Paradisum” in English

We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.

—Jeff Ostrowski